{"id":1676,"date":"2026-03-07T19:30:41","date_gmt":"2026-03-07T10:30:41","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1676"},"modified":"2026-03-07T18:48:56","modified_gmt":"2026-03-07T09:48:56","slug":"new-arrivals-books-related-to-azechi-umetaro-serizawa-keisuke-kawase-hasui-kawakami-sumio-sugai-kumi-komura-settai-leonard-foujita-yoshitoshi-kuniyoshi-hokusai-and-more","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1676","title":{"rendered":"New Arrivals: Books related to Azechi Umetaro, Serizawa Keisuke, Kawase Hasui, Kawakami Sumio, Sugai Kumi, Komura Settai, Leonard Foujita, Yoshitoshi, Kuniyoshi, Hokusai and more"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Hand-printed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hand-printed Works: Birth of Mountain Man” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sakamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sakamoto Kazutoshi Exlibris collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Don
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Don Quijote, New Edition” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lamp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lamp” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"ALEA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“ALEA” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pastoral
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pastoral Lyricism: Woodblock Prints of Furukawa Ryusei” edited by Kubo Sadajiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Revelation to John” by Okada Roshiw\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Komura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Komura Settai Painting Collection” Written by Komura Yae, Edited by Yamamoto Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print Series: Miyarabi” by Gima Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Moods of Women” by Ito Seiu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Salome:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Salome: la vierge de feu” by Kobayashi Donge\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Furusato
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Furusato Shinano” by Masuzawa Soichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten no Onbaku-sama” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Unai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Unai no Tomo \/ No. 8” edited by Nishizawa Tekiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiki kasan” by Ouchi Koho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zoshohyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zoshohyo no hanashi” written by Saito Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hagiwara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hagiwara Hideo Exlibris collection \/ Volume 3: Nyoan” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hagiwara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hagiwara Hideo Exlibris collection \/ Volume 4: Mount Fuji” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stencil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stencil Prints by Shudokai” by Oba Masao, Tsukakoshi Genshichi, Wakayama Yasoji and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS IV – Published by the Nippon Exlibris Association in Commemoration of the Four General Assembly” by Kanamori Yoshio, Kurita Masahiro, Miyashita Tokio, Yamataka Noboru, Yokota Minoru and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS VI – Published by the Nippon Exlibris Association in Commemoration of the Sixth General Assembly” by Kajiyama Toshio, Kanamori Yoshio, Kurita Masahiro, Sato Yonejiro, Takahashi Teruo and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album for the Ex Libris Calendars” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hand-printed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hand-printed Woodblock Prints: Places of Ryokan” by Miyata Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints by Tagawa Ken: Higashiyamate Junibankan in Nagasaki”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE COMPLETE WOODCUTS OF KAWASE HASUI”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"La
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“La Vie et l’Oeuvre de Leonard-Tsuguharu Foujita \/ Volume 1” written by Sylvie Buisson and Dominique Buisson\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Yamaguchi Susumu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Yamaguchi Susumu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Yamaguchi Susumu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Yamaguchi Susumu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"AKIRA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“AKIRA KANAYAMA CATALOGUE RAISONNE 2017”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ikeda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ikeda Masuo BOOK WORK 1947-1977” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Onchi Koshiro”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Japanese Artist in London” by Makino Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hideo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hideo Horii Graphic Works 1961-1989”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rouault
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rouault Oeuvre Grave” text by Francois Chapon; translated by Yanagi Munemoto, Takashina Shuji and Sakamoto Mitsuru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hangeijyutsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hangeijyutsu No.29 Fujimori Shizuo printworks “<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 1” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 2” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 4” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 5” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 5” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 6” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 7” edited by Kawai Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 9” edited by Oshita Atsushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyosai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyosai Hyakuzu: A Hundred Humorous Pictures of the Edo Period” written by Miyao Yoshio and Miyao Jiryo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 10” edited by Oshita Atsushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly Magazine Hanga \/ No. 11” edited by Oshita Atsushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Culture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Culture of Firefighters in Style”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"UKIYOE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“UKIYOE that Challenges: Kuniyoshi, Yoshitoshi … and More!”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"YOSHITOSHI,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“YOSHITOSHI, A GENIUS UKIYO-E MASTER IN A TURBULENT TIME”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"UTAGAWA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“UTAGAWA Kuniyoshi: Woodblock Prints of Eccentricity and Laughter”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Special
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Special Exhibition Tsutaya Juzaburo: Creative Visionary of Edo” edited by Tokyo National Museum, NHK and NHK Promotions\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Katsushika
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Katsushika Hokusai and Kawanabe Kyosai – Fantastic Comics” edited by Ota Memorial Museum of Art\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catalogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Catalogue of Tokyo National Museum \/ Ukiyo-e” edited by Tokyo National Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Introduction to Ukiyo-e” by supervised by Ota Memorial Museum of Art\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meiyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meiyu de tsuzuru Kiso Kaido”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ino
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ino Mononokeroku Emaki” edited by Tanigawa Kenichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Yokai by Kuniyoshi” written by Sunaga Asahiko, edited & explained by Isao Toshihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Yokai by Hokusai” written by Kyogoku Natsuhiko, edited by Tada Katsumi and Kubota Kazuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Yokai by Kyosai” written by Kyogoku Natsuhiko, edited & explained by Tada Katsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokai Encyclopedia” written by Kyogoku Natsuhiko, edited & explained by Tada Katsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"YOKAI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“YOKAI MUSEUM: The Art of Japanese Supernatural Beings from YUMOTO Koichi Collection” written by Yumoto Koichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hirezaki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hirezaki Eiho den” written by Matsumoto Shinako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hirezaki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hirezaki Eiho” edited by Ota Memorial Museum of Art\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawase
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawase Hasui”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"SYOTEI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“SYOTEI (HIROAKI) TAKAHASHI”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"20th
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“20th Anniversary Exhibition: Hara Yasusaburo Collection \/ Ohara Koson: An Eden of Flowers and Birds”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Tokyo in Prints: From the Great Kanto Earthquake to Pre-war Period”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin-hanga:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin-hanga: Beauty of Evolving Ukiyo-e”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beautiful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beautiful Shin-hanga -Revitalization of Ukiyo-e”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"HARUKI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HARUKI MURAKAMI: Works from the Kurokochi Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuri
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuri Yoji: Human Zoo”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings by Kano Tan’yu: Commemorating the 400th Tan’yu’s birth”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Age of Okamoto Shinso”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"NORITAKE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“NORITAKE CHINA 1891-1945 COLLECTOR\u2019S GUIDE” written by Kimura Kazuhiko and Aoi Kotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"TADAO
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“TADAO ANDO: ENDEAVORS”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picasso347\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picasso347”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print magazine: Print Art”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le Massacre des Innosents” written by Maurice Maeterlinck, translated by Horiguchi Daigaku, prints by Yokota Minoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gion
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gion Kouta” written by Nagata Mikihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Religious
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Religious Folk Toys” written by Manzoji Ryu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gako
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gako and Teiko” edited by Ishii Hakutei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Life of a Sparrow” by Kitahara Hakushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yumeji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yumeji Picture Collection \/ Spring” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Modern Prints” written by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mt.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mt. Fuji” poems by Kusano Shinpei, prints by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Les
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Les neiges d’antan” written by Yasugaki Eiichi, prints by Ueda ?\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"How
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“How to Engrave Names” written by Kato Namio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"20th
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“20th Century’s Graphics & Multiples of Prominence for Collectors”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki and Gekihyo magazines bound in one volume”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kobunso
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kobunso Catalogue of Quality Books \/ No. 50, Revised edition” edited by Sorimachi Shigeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Commemorating
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Commemorating the Publication of Volume 900: Table of Contents of Mizue magazine, 1-900”<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Hand-printed Works: Birth of Mountain Man” by Azechi Umetaro “Sakamoto Kazutoshi Exlibris collection” “Don Quijote, New Edition” by Serizawa Keisuke “Lamp” by Kawakami Sumio “ALEA” by Sugai Kumi “Pastoral Lyricism: Woodblock Prints of Furukawa Ryusei” edited by Kubo Sadajiro “The Revelation to John” by Okada Roshiw “Komura Settai Painting Collection” Written by Komura Yae, Edited […]<\/p>\n","protected":false},"author":1,"featured_media":1682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1676"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1676\/revisions"}],"predecessor-version":[{"id":1681,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1676\/revisions\/1681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1682"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}