{"id":1662,"date":"2026-02-28T18:30:33","date_gmt":"2026-02-28T09:30:33","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1662"},"modified":"2026-02-28T17:39:23","modified_gmt":"2026-02-28T08:39:23","slug":"new-arrivals-emil-orlik-leonard-foujita-onchi-koshiro-arakawa-shusaku-ono-tadashige-azechi-umetaro-yoshida-toshi-saito-kiyoshi-tanaka-ryohei-marc-chagall-edrica-huws-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1662","title":{"rendered":"New Arrivals: Emil Orlik, Leonard Foujita, Onchi Koshiro, Arakawa Shusaku, Ono Tadashige, Azechi Umetaro, Yoshida Toshi, Saito Kiyoshi, Tanaka Ryohei, Marc Chagall, Edrica Huws and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Children Watching a Festival Procession” by Emil Orlik<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of Mrs. Conchita Montes” by Fujita Tsuguharu (Leonard Foujita)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poem
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poem No. 2: Of the Mountain” by Onchi Koshiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Is
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Is at It: Blind intentions 9” by Arakawa Shusaku<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seabirds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seabirds” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parting” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yakedake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yakedake” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lakes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lakes and Mountains, Genkan” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sea Fishes” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monument
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monument Valley” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ryoan-ji,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ryoan-ji, Kyoto (B)” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thumbelina
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thumbelina” by Mizuno Eri\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Milky
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Milky White” by Ishihara Nanami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hagoita:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hagoita: Spring Light” by Yomogida Yasuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Fan: Cherry Blossom” by Naka Chihiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shokuka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shokuka” by Shingu Sayaka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eggshell
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eggshell” by Yamamoto Noriko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokiwa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokiwa” by Iwata Hisatoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Die
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Die zauberlote Mozart: Metoropolitan Opera” by Marc Chagall\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kitchen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kitchen Still Life with Blue Jug” by Edrica Huws\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Amiens
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Amiens Waterfront” by Edrica Huws\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Angels'
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Angels’ Eyes” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow White \/ Poisoned Apple” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"September
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“September” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dogwood
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dogwood” by Ikeda Shuzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roofs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roofs of Miyama” by Tanaka Ryohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"669
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“669 Ginkgo Carpet” by Tanaka Ryohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wall
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wall #2” by Tanaka Ryohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Town
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Town in May” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poster
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poster for the 10th Black Ship Festival” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bridge
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bridge” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono\uff1aMado
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono\uff1aMado no Tsuki Ume no Sugata-e” by Kaburaki Kiyokata, Torii Kiyotada\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawai Gorota\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Birth of Land \/ The Scaly Ocean Palace” by Takamatsu Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Birth of Land \/ Yamata no Orochi” by Takamatsu Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Birth of Land \/ The inside is vast, the outside is cramped” by Takamatsu Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji (D)” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Views and Customs around the World, Volume 1 \/ No. 7 of 10: Amsterdam, the Netherlands” by Kojo Kokan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji from the Mountain Passes” by Hashimoto Okiie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue in Green” by Tajima Hiroyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traveller's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traveller’s Joy: Crumbly Clay” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traveller's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traveller’s Joy: Malagrana” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traveller's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traveller’s Joy: Parabola” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traveller's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traveller’s Joy: Spring Thunder” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake and Mountain, Genkan (Moon Rabbit)” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Togakushi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Togakushi in Early Spring” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Returning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Returning from Practice” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"White
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“White Plum” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"After
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“After the Bath” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stream of Stars” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Summer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Summer Elegance” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cool
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cool Breeze” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light Snow” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blonde
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blonde” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Afternoon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Afternoon” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crimson
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crimson” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Banana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Banana” by Maki Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Fuji, Katsu” by Sakurai Takayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Listening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Listening to a Lecture on Delivery of Rice.” by Ueno Makoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kikujido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kikujido = Reiko” by Kishida Ryusei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude Woman and a Dog” by Saeki Rusuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yorokobi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yorokobi no Itadaki” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tFrom “The Dancing Girl of Izu” (Yasunari Kawabata) by Komatsuzaki Kunio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tFrom “Kappa” (Akutagawa Ryunosuke) by Kudo Kojin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tFrom “One Hundred Views of Mount Fuji” (Osamu Dazai) by Yoshioka Hiroaki\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Japanese Children Watching a Festival Procession” by Emil Orlik “Portrait of Mrs. Conchita Montes” by Fujita Tsuguharu (Leonard Foujita) “Poem No. 2: Of the Mountain” by Onchi Koshiro “Is at It: Blind intentions 9” by Arakawa Shusaku “Seabirds” by Ono Tadashige “Parting” by Azechi Umetaro “Yakedake” by Azechi Umetaro “Lakes and Mountains, Genkan” by Kanamori […]<\/p>\n","protected":false},"author":1,"featured_media":1674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1662"}],"version-history":[{"count":11,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1662\/revisions"}],"predecessor-version":[{"id":1675,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1662\/revisions\/1675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1674"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}