{"id":1583,"date":"2026-01-10T19:30:53","date_gmt":"2026-01-10T10:30:53","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1583"},"modified":"2026-01-10T17:31:10","modified_gmt":"2026-01-10T08:31:10","slug":"new-arrivals-kawase-hasui-ito-shinsui-tsuchiya-koitsu-kasamatsu-shiro-okuyama-gihachiro-kunisada-kuniteru-yoshitora-tankei-kunichika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1583","title":{"rendered":"[New Arrivals] Kawase Hasui, Ito Shinsui, Tsuchiya Koitsu, Kasamatsu Shiro, Okuyama Gihachiro, Kunisada, Kuniteru, Yoshitora, Tankei, Kunichika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto no Yorimitsu and His Four Retainers Killing the Demon” by Kunisada I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parody of Famous Merchants on Carriages” by Kuniteru II<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"In
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“In the Conquest of Oshu Province, Lord Minamoto no Yoritomo Captures the Fortress of Takadachi” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunset
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunset at Nenoyama, Saitama Prefecture” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sudden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sudden Rain ar Shiobara Hataori” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tanigumi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tanigumi Temple in Mino Province” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iga Ueno Hakuho Castle” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty Views of Tokyo \/ Moon on the Arakawa River in Akabane” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Road to Nikko” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dusk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dusk at Ushibori” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty Views of Tokyo \/ Omori Coast” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Shinkyo Bridge, Nikko” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Scenic Views of Japan, Eastern Japan Series \/ Saishoin Temple in Snow, Hirosaki” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Kizaki, Shinshu” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Rain in Kawarago” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tengu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tengu Rock, Autumn in Shiobara” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senju
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senju Waterfall, Akame” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Frosty Dawn” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inland
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inland Sea” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pine Beach at Miho” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sacred
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sacred Bridge at Nikko” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fuji River, Tokaido” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sarusawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sarusawa Pond in Nara” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kikyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kikyo Gate” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kushihama,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kushihama, Nanso” by Oda Hironobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fresh
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fresh Green at Lake Ashinoko, Hakone” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shimoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shimoda Fuji in Rain” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Satta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Satta Pass, Yui” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Godaido Hall, Matsushima” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Eight Views of Nanao on the Noto Peninsula \/ Rain at Nagaura Highway” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Eight Views of Nanao on the Noto Peninsula \/ Willow Tree on the Bank of Misogi River” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Eight Views of Nanao on the Noto Peninsula \/ Sunset Glow at Akauragata” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eruption
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eruption of Mount Bandai” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugawaraya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugawaraya and Yonedaya at Nanoka-cho, Tsurugaoka, Oizumi, Uzen Province in Great Japan” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomioka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomioka Silk Factory in Kozuke Province” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True View of Surikami Bridge” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Russian Crown Prince Watching a Kabuki Play” by Kochoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Battle of Tomei” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Ceremony” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vengence
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vengence at Iga Ueno” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places on the Tokaido Road” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Imperial Tour to the Northeast” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imperial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imperial Japan: Setting Out to Welcome the Russian Crown Prince” by Shungyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Inner Precincts at Asakusa: Cherry Blossoms in Full Bloom” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shobu-dachi Tsui no Kyokaku” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Selected Records of the Taiko Hideyoshi” by Toyonobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nakamura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nakamura Shikan’s Dance of Seven Changes” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance of Nine Changes \/ Komachi Praying for Rain” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night Attack on the Horikawa Palace” by Toshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto Kuro Yoshitsune” by Enrosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takatsuna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takatsuna Gains Renown for Fighting a Rearguard Action at Ishibashiyama” by Kunihisa II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Play at the Kabuki-za Theater: Soga Confrontation Scene” by Kochoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku: Road to Fifty-three Stations of the Tokaido” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True View of Enoshima” by Ota Setsuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Cool at the Kamo River” by Kurio Rintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Noted
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Noted Geishas of Tokyo \/ Kosen” by Shimizu Ichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Noted
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Noted Geishas of Shinbashi \/ Azuma Oen” by Ota Setsuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Suzuki Kason\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Minamoto no Yorimitsu and His Four Retainers Killing the Demon” by Kunisada I “Parody of Famous Merchants on Carriages” by Kuniteru II “In the Conquest of Oshu Province, Lord Minamoto no Yoritomo Captures the Fortress of Takadachi” by Kuniteru II “Sunset at Nenoyama, Saitama Prefecture” by Kawase Hasui “Sudden Rain ar Shiobara Hataori” by Kawase […]<\/p>\n","protected":false},"author":1,"featured_media":1586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1583"}],"version-history":[{"count":2,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1583\/revisions"}],"predecessor-version":[{"id":1585,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1583\/revisions\/1585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1586"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}