{"id":1526,"date":"2025-11-29T18:30:44","date_gmt":"2025-11-29T09:30:44","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1526"},"modified":"2025-11-29T06:50:56","modified_gmt":"2025-11-28T21:50:56","slug":"new-arrivals-kawase-hasui-ito-shinsui-takehisa-yumeji-yamataka-noboru-hiroshige-kuniyoshi-yoshikazu-yoshitoshi-toyokuni-chikanobu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1526","title":{"rendered":"[New Arrivals] Kawase Hasui, Ito Shinsui, Takehisa Yumeji, Yamataka Noboru, Hiroshige, Kuniyoshi, Yoshikazu, Yoshitoshi, Toyokuni, Chikanobu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Onobara,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Onobara, Saitama Prefecture” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Place in the Eastern Capital: True View of Kasumigaseki” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Views of Oshima \/ Ascetic’s Cave” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 8 of Volume 1” Cover by Takehisa Yumeji<\/strong><\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 6 of Volume 1” Cover by Takehisa Yumeji<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 5 of Volume 1” Cover by Takehisa Yumeji<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshitsune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshitsune on Mount Kurama” by Yoshikazu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Last Stand of Kiso Yoshinaka at Awazu” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Koromo River in Mutsu Province in the Ninth Month of 1062 during the Earlier Nine-year War” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Oshikochi no Mitsune” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Abe no Nakamaro” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Chunagon Kanesuke” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Chunagon Yakamochi” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Suzumushi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Kashiwagi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for newspaper novels by Yoshitoshi” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Shadow Dance at Ninnaji Temple” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Sima Guang Wisely Breaks the Vat” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ The World of the Tengu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Gojo Bridge” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Okame Peeks at the Shadow of a Matsutake Mushroom and Giggles” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Gathering Pine Shoots on the Day of the Rat” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon, and Flowers \/ Flowers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Edo Enjoy the Evening Cool on Pleasure Boats” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparisons
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparisons for Famous Places in Edo \/ No. 52: Gomi Hill: \uff1f” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Etiquette for Ladies” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manners for Women” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Akasaka: The Imperial Palace” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ Toshogu Shrine in Ueno Park” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Inside Niomon Gate, Senso-ji Temple at Kinryuzan” by Yatabe Tajuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Kiyomizu Hall in Ueno Park” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Kanegafuchi, Mukojima” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Mount Atago” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ueno
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ueno Park” by Kunihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fierce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fierce Battle of the Yellow Sea” by Tsujioka Matasuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Hours of the Storehouse of Loyal Retainers \/ Nanbuzaka” by Hasegawa Sadanobu III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hongo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hongo Kikuzaka” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mural
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mural Paintings of the Five-story Pagoda at Shitenno-ji Temple \/ Manjushri” by Domoto Insho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cover
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cover art for ‘Tsuki no ki'” by Ishii Tsuruzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Excursion
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Excursion” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS II – Published by the Nippon Exlibris Association in Commemoration of the Second General Assembly” by Kanamori Yoshio, Karasawa Hitoshi, Sekino Junichiro, Hiratsuka Unichi, Furusawa Iwami, Hagiwara Hideo and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wooden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wooden Statue of Gozan Monk at Dairyu-ji Temple in Hida Province” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Muroguchi-Ono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Muroguchi-Ono” by Iwata Kakutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lilac
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lilac” by Ono Tadaaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snowscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snowscape” by Shimozawa Kihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Saipan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Saipan” by Sasaki Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Road
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Road” by Kakihara Toshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Nobeoka” by Kuroki Sadao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Farmer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Farmer” by Ueno Makoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape” by Nozu Sakichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Road
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Road of the Mountain Gorge” by Iwashima Tsutomu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl” by Ebata Yoshiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hikone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hikone Castle in Snow” by Hashimoto Okiie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tongue-cut Sparrow” by Takahashi Tadao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At Nabuto, Sotobo” by Nakano Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pomegranate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pomegranate” by Muto Kanichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Kanaya” by Takeda Yoshihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Good
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Good Friends” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seashore
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seashore from the Tunnel” by Munakata Makka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Kijima” by Ogawa Tatsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miniature
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miniature Book of Shizuoka \/ No. 14: Small Woodblock Prints – Utsunoya” by Unno Mitsuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Sugamo”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Art
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Art magazine Suisai \/ Extra edition: Sosaku Hanga by Hiratsuka Unichi” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"JAPANESE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“JAPANESE WOOD-BLOCK PRINTS” by written by Fujikake Shizuya; translated by M. G. Mori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Paradise”<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Onobara, Saitama Prefecture” by Kawase Hasui “Famous Place in the Eastern Capital: True View of Kasumigaseki” by Hiroshige I “Twelve Views of Oshima \/ Ascetic’s Cave” by Ito Shinsui “The Ladies’ Graphic \/ No. 8 of Volume 1” Cover by Takehisa Yumeji “The Ladies’ Graphic \/ No. 6 of Volume 1” Cover by Takehisa Yumeji […]<\/p>\n","protected":false},"author":1,"featured_media":1531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1526"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1526\/revisions"}],"predecessor-version":[{"id":1532,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1526\/revisions\/1532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1531"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}