{"id":1498,"date":"2025-11-15T18:58:31","date_gmt":"2025-11-15T09:58:31","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1498"},"modified":"2025-11-15T19:05:50","modified_gmt":"2025-11-15T10:05:50","slug":"new-arrivals-ono-bakufu-mizufune-rokushu-mabuchi-toru-miyata-masayuki-saito-kaoru-kuniyoshiyoshitoshi-yoshitora-sadahide-toyokuni-kunisada-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1498","title":{"rendered":"[New Arrivals] Ono Bakufu, Mizufune Rokushu, Mabuchi Toru, Miyata Masayuki, Saito Kaoru, Kuniyoshi,Yoshitoshi, Yoshitora, Sadahide, Toyokuni, Kunisada and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ Hairtail” by Ono Bakufu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 12 of Volume 1: Goldfish” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 6 of Volume 1: Flying Fish” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 6 of Volume 2: Rock Sea Bream” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 11 of Volume 1: Halibut” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 4 of Volume 2: Mackerel” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ Blacktip Grouper” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Carnival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Carnival” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oval
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oval Landscape” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Waterfront
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Waterfront Castle” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pansy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pansy” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roses etc.” by Mabuchi Toru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars \/ 1953-1956” by Azechi Umetaro, Onchi Koshiro, Serizawa Keisuke, Takei Takeo, Maekawa Senpan and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1957-June 1960” by Azechi Umetaro, Kawakami Sumio, Hashimoto Okiie, Maekawa Senpan, Yamaguchi Susumu and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tiger
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tiger” by Miyata Masayuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fieste
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fieste de Tehuantepec” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fetes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fetes galantes” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le diable au corps” by Maurice de Vlaminck\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Octave” by Saito Kaoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Japanese Ex-libris: Ema Designs” by Tsukakoshi Genshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miyata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miyata Saburo: Complete Woodblock Print Collection (5-Volume Set)” by Miyata Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of Musashi Plain” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoritomo's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoritomo’s Attack by Flooding at the Battle of Hiraizumi in Oshu Province” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akamatsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akamatsu Castle Attacked by Flooding” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle of Kawanakajima in Shinano Province” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Former Taiheiki: Yoriyoshi Defeats Sadato at the Great Battle at the Kuriya River” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Uji River, on the 16th Day of the First Month, 1184” by Yoshitora<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto no Yorimitsu and Fujiwara no Yasumasa Defeating the Demon Bandit Shutendoji at Mount O’e in Tanba Province by Order” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Armies of Uesugi Kenshin and Takeda Shingen Facing Each Other” by Sadahide<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Performances
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Performances at the Yurakukan Theater, Tokyo” by Kunisada III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The First Public Presentation of a Play in Celebration of the Completion of the Shintomi-za Theater” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sano Keizu Soga no Gosho-zome” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hanagatami Gojusan Tsugi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Ichikawa Ebizo V” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vengeance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vengeance of Our Country: Mido no Mae” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono” by Gokotei (Sadakage)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actors Print” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alluring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alluring Figures: Makeup Pride” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parodies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parodies of the Seven Komachi \/ Komachi at Sekidera Temple” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Nani oboshi kanagaki fude” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 42: Niou no miya” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Kawarasaki Kunitaro I” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actors Print” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Horaisan Soga no kaomise” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichimura Uzaemon as the Little Fox Reiza” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tamakushige Akebono Soga” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tamakushige Akebono Soga” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Restaurants of Tokyo \/ The Restaurant in Mukojima” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Matches for Flowers \/ Moon of ” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Fashonable Physiognomies \/ Looking Sleepy” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroic Commoners of Mdern Edo \/ Kawamuraya Tokujiro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroic Commoners of Mdern Edo \/ Hanatori of the Niigataya” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hime Kurabe Hana no Oguri Jikki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kodan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kodan isseki yomikiri” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Genji \/ Flower Arrangement” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flyer:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flyer: Hamanaka-ya Shoten” by Kanmei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Streetwalker by moonlight\u3010Reproduction\u3011” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Cooling Off at Shijo\u3010Reproduction\u3011” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Akazome Emon Viewing the Moon from Her Palace Chambers\u3010Reproduction\u3011” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of The Moon \/ Takao\u3010Reproduction\u3011” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Lady Chiyo and The Broken Water Bucket\u3010Reproduction\u3011” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunga:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunga: sex and plesure in Japanese art” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Reading
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Reading Oil Paintings – From Yuichi Takahashi to Seiki Kuroda – Analyzed Masterworks of the Meiji Era -”\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fish of Japan \/ Hairtail” by Ono Bakufu “Fish of Japan \/ No. 12 of Volume 1: Goldfish” by Ono Bakufu “Fish of Japan \/ No. 6 of Volume 1: Flying Fish” by Ono Bakufu “Fish of Japan \/ No. 6 of Volume 2: Rock Sea Bream” by Ono Bakufu “Fish of Japan \/ No. […]<\/p>\n","protected":false},"author":1,"featured_media":1506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1498"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1498\/revisions"}],"predecessor-version":[{"id":1505,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1498\/revisions\/1505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1506"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}