{"id":147,"date":"2023-04-08T18:28:17","date_gmt":"2023-04-08T09:28:17","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=147"},"modified":"2023-04-08T18:28:17","modified_gmt":"2023-04-08T09:28:17","slug":"new-arrival-hokusai-kuniyoshi-yoshitoshi-chikanobu-ay-o-ikeda-masuo-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=147","title":{"rendered":"[New Arrival] Hokusai, Kuniyoshi, Yoshitoshi, Chikanobu, Ay-O, Ikeda Masuo and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture Book of the Loyal Heroes of the Suikoden” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Triple-Beat Dance (Ryuko mitsu-byoushi)” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Otokodate Momiji no Nishiki-e” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Iwao no Hana Nami no Shiraishi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Heroes with Magical Powers” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors Matsumoto Koshiro and Sawamura Tanosuke” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kanbara” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tori Kagura Shishi Takashima” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Osome,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Osome, Hisamatsu” by Kuninao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Honorable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Honorable Flowers Blooming in Different Colors \/ Ariwara of the Shinagawa-ro and Ko of Nakanocho” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Honorable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Honorable Flowers Blooming in Different Colors \/ Kokonoe and Otome of the Daimonji-ro and Momotaro of Nakanocho” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Honorable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Honorable Flowers Blooming in Different Colors \/ Morokoshi of the Daimonji-ro and Yu of Nakanocho” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Customs: Enumerated Blessings \/ Fragrance” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Moon and Flowers \/ Mikawa Province: Snow at Okazaki, Tsukiyama Goten and Oman” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Moon and Flowers \/ Kii Province: Moon at Hidaka River and Kiyohime” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Moon and Flowers \/ Yamashiro Province: Flowers in Arashiyama and Kumano Gozen” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Moon and Flowers \/ Mikawa Province: Moon at Okazaki, Ushiwakamaru and Princess Joruri” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparison
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparison of Days and Nights in Eastern Brocade \/ Princess Osakabe” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ichiban Norime Iki no Sashimono” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Efflorescence: Competition of Beauties” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Efflorescence: Competition of Beauties” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tsuru no Chitose Soga no Kadomatsu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Efflorescence: Competition of Beauties” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Otani Tomomatsu Arrives at Morita-za Theater” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eighteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eighteen Famous Kabuki Plays \/ Kanjincho” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ Steam Train at Shinbashi Station” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Scene from the Kabuki Play: Gion Sairei Shinkoki” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Daily Life of Children \/ Hide-and-seek” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Daily Life of Children \/ Zori Change” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ Catching Fireflies: Women of the Tenmei Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yagura-daiko Oto mo Yoshiwara” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Date Kurabe Okuni Kabuki” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Playbill
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Playbill for Biwa-uta at the Asahi Theater, Dotonbori” by Hasegawa Konobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e” by Yamamoto Hisashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rainbow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rainbow Hokusai” by Ay-O\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue costume” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Holy Family” by Takayama Tatsuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Elizabeth
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Elizabeth Taylor” by Hiro Yamagata(Yamagata Hiromichi)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fishing” by Beru Kushida\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Black
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Black Cat” by Ishikawa Toraji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-Three Stations of the Tokaido \/ Shono” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Grand
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Grand canyon” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suimei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suimei” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait IV: Arthur Rimbaud” by Karasawa Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumano Kodo Pilgrimage Trails \/ Voice of Summer” by Uemura Atsushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nami” by Nagai Kazumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title Unknown” by Nagai Kazumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"People
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“People in line” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Loss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Loss” by Ashikawa Mizuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shikishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shikishi” by Uemura Naomi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Picture Book of the Loyal Heroes of the Suikoden” by Hokusai “Popular Triple-Beat Dance (Ryuko mitsu-byoushi)” by Kuniyoshi “Kabuki Play: Otokodate Momiji no Nishiki-e” by Kuniyoshi “Kabuki Play: Iwao no Hana Nami no Shiraishi” by Kuniyoshi “Contest of Heroes with Magical Powers” by Yoshitoshi “Actors Matsumoto Koshiro and Sawamura Tanosuke” by Eizan “Fifty-three Stations of […]<\/p>\n","protected":false},"author":1,"featured_media":155,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=147"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/147\/revisions"}],"predecessor-version":[{"id":154,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/147\/revisions\/154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}