{"id":1452,"date":"2025-10-25T18:30:34","date_gmt":"2025-10-25T09:30:34","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1452"},"modified":"2025-10-25T16:33:09","modified_gmt":"2025-10-25T07:33:09","slug":"new-arrivals-yoshimori-toyokuni-shigenobu-hirokage-kunichika-saito-kiyoshi-shimura-tatsumi-sugai-kumi-takamatsu-jiro-tokuriki-tomikichiro-sasajima-kihei-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1452","title":{"rendered":"[New Arrivals] Yoshimori, Toyokuni, Shigenobu, Hirokage, Kunichika, Saito Kiyoshi, Shimura Tatsumi, Sugai Kumi, Takamatsu Jiro, Tokuriki Tomikichiro, Sasajima Kihei and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Nichiren
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nichiren Shonin Causes the Daimoku to Appear on the Waves” by Yoshimori<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flourishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flourishing Merchant House on Nakadori by the Sea, Yokohama” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons of Genji by Two Brushes \/ Summer: Enjoying the Cool of Evening at the Otonashi River in Oji” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Procession of Women on a Journey of Flowers” by Shigenobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sozarai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sozarai Shogi no komagumi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Competitions
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Competitions among Actors of the Three Theaters” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter in Aizu” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kencho-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kencho-ji Kamakura” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Anila
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Anila” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Women \/ Snow” by Shimura Tatsumi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Women \/ Haori (Jacket)” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daimonji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daimonji” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"PRINTEMPS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“PRINTEMPS” by Sugai Kumi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"MASSE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“MASSE VIOLETE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"MASSE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“MASSE BLEUE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"CHAINE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“CHAINE DE DIABLE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"NUAGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“NUAGE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"L'ORAGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“L’ORAGE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"DEUX
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“DEUX NOIRS” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"ALEA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“ALEA” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"L'ETE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“L’ETE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"ROUGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“ROUGE” by Sugai Kumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From The Birth of Land” by Takamatsu Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bugle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bugle Player and a Woman” by Baba Kashio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Game
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Game corner” by Baba Kashio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hen 2” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Kyoto \/ Sumiya in Shimabara” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Herd
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Herd of Deer” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maiko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maiko (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pigeons
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pigeons (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Owls” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hydrangea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hydrangea (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Garden” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Horses” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Horses” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Towada in Autumn” by Yasui Sotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady A” by Ito Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony and fruit basket” by Katori Takeshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light of Dawn” by Ito Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traveller's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traveller’s joy:Dry Sedge
\n” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At a Zoo: People Watching Rhinoceros” by Aigasa Masayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fledgling
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fledgling II” by Ikuta Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Ryogoku” by Toyokuni III and Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Yanagibashi” by Toyokuni III and Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Eitai Bridge” by Toyokuni III and Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Komagome” by Toyokuni III and Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Shinagawa” by Toyokuni III and Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Fuji from the Eastern Capital \/ Akiba Shrine, Mukojima” by Toyokuni III and Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Hongo in the Eastern Capital” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The FIve Festivals \/ First Month” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Victory
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Victory Celebration in Ueno, December 1894” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ranking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ranking of Actors of Each Theater” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ Going Off-duty” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ Embroidery” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ After the Bath: Woman of the Kansei Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ The Fourth Month: Woman of the Enkyo Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Nichiren Shonin Causes the Daimoku to Appear on the Waves” by Yoshimori “Flourishing Merchant House on Nakadori by the Sea, Yokohama” by Kuniteru II “Four Seasons of Genji by Two Brushes \/ Summer: Enjoying the Cool of Evening at the Otonashi River in Oji” by Toyokuni III and Hiroshige II “A Procession of Women on […]<\/p>\n","protected":false},"author":1,"featured_media":1456,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1452"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1452\/revisions"}],"predecessor-version":[{"id":1458,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1452\/revisions\/1458"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1456"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}