{"id":1438,"date":"2025-10-11T19:21:43","date_gmt":"2025-10-11T10:21:43","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1438"},"modified":"2025-10-11T19:21:43","modified_gmt":"2025-10-11T10:21:43","slug":"new-arrival-shinoda-toko-fujita-tsuguharuleonard-foujita-jinbo-tomoyo-kimura-shohachi-iwata-sentaro-ikeda-masuo-toyokuni-kiyochika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1438","title":{"rendered":"[New Arrival] Shinoda Toko, Fujita Tsuguharu(Leonard Foujita), Jinbo Tomoyo, Kimura Shohachi, Iwata Sentaro, Ikeda Masuo, Toyokuni, Kiyochika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Journey
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Journey” by Shinoda Toko<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combat avec l’image” written by Jean Giraudoux; illustrated by Fujita Tsuguharu(Leonard Foujita)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tu m’aimeras” written by Claude Dazil; illustrated by Fujita Tsuguharu(Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for Komatsu Midori’s ‘Kaiten hiroku: Kinki o megurite'” by Jinbo Tomoyo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration for Osaragi Jiro’s ‘Muteki (Foghorn)'” by Kimura Shohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for Higasa no kage” by Iwata Sentaro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Torso
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Torso under the Sea” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lakes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lakes and Mountains” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roma” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Optical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Optical Lantern” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Luce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Luce or the Childhood of a Courtesan” by written by Jacques de Lacretelle; illustrated by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints Collection: Seasons of Japan” by Asahi Masahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dream of the Sky” by Kurita Masahiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bosantei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bosantei zue” by Takao Ryoichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Woodblock Prints: Danish Doll and Kanjincho” by Takao Ryoichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seitei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seitei Pictorial Album of the Birds and Flowers \/ Volume 1” by Watanabe Seitei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokusui
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokusui Butosen \/ Moon” by Hasegawa Sadanobu III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiki oriori tamuke no furyu \/ Female Dandy” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiki oriori tamuke no furyu \/ Baby Minder” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ladies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ladies Celebrating the Victory” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Incident
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Incident Between Korea and Japan” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Advance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Advance Disposition of Troops at Weihaiwei” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"In
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“In Clear Weather after Snow, General Nozu Advances and Looks at Liaoyang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Soldier’s Dream at Camp during a Truce in the Sino-Japanese War” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Negotiations of Peace Terms” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Naval Battle near Pungdo in Korea” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Scouts from the First Army Reconnoitering at Motianling” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Second Army’s Occupation of Jinzhoucheng” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of the First Soldier on Top of Pyongyang Gate in Pyongyang” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Emperor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Emperor Meiji Arrives Safely in Hiroshima Prefecture” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Battleships Sink Three Chinese Ships and Burn Down One near Haiyang Island” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes at the Fall of Pyongyang” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Troops at Fierce Battle of Pyongyang” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Forces: Occupation of Jiuliancheng” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Private
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Private Harada Jukichi Opens the Hyeonmu Gate from Within the Fort at Pyongyang” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cavalry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cavalry Scout Sergeant Kawasaki Iseo Swims Across the Tadong River Alone to Scount Enemy Movements and Returns Calmly with the Enemy Boat on the Night of August 3rd” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Bravery of Captain Matsuzaki in the Fierce Fighting at the Ford of Ansong” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Captain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Captain Sakuma Raising a War Cry at the Occupation of the Pescadores” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Colonel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Colonel Sato Disguised in Korean Attire Reconnoiters the Yalu Shore with an Interpreter” by Toshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese Fleet: Great Battle at Haiyang Island” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Extra
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Extra Edition, October 26th: Attack on the Cavalry near Hushan” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle at Jiuliancheng” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Brave Fight of Scouts at Weihaiwei” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Captain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Captain Higuchi, A Fierce Warrior, Ready to Lay Down His Life for Mercy’s Sake at Fort Motianling” by Koto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sergeant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sergeant Kawasaki Crossing the Tadong River Alone” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Troops Win a Victory at Seonghwan” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Book of Bread” by Suzuki Hisao (?)\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Journey” by Shinoda Toko “Combat avec l’image” written by Jean Giraudoux; illustrated by Fujita Tsuguharu(Leonard Foujita) “Tu m’aimeras” written by Claude Dazil; illustrated by Fujita Tsuguharu(Leonard Foujita) “Illustrations for Komatsu Midori’s ‘Kaiten hiroku: Kinki o megurite’” by Jinbo Tomoyo “Illustration for Osaragi Jiro’s ‘Muteki (Foghorn)’” by Kimura Shohachi “Illustrations for Higasa no kage” by Iwata […]<\/p>\n","protected":false},"author":1,"featured_media":1443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1438"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1438\/revisions"}],"predecessor-version":[{"id":1442,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1438\/revisions\/1442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1443"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}