{"id":1371,"date":"2025-08-30T18:30:06","date_gmt":"2025-08-30T09:30:06","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1371"},"modified":"2025-08-30T18:44:13","modified_gmt":"2025-08-30T09:44:13","slug":"new-arrival-kuniyoshi-toyokuni-shuntei-gekko-kamei-takejiro-onchi-koshiro-takei-takeo-takahashi-shotei-narazaki-eisho-ota-masamitsu-yamada-basuke-koizumi-kishio-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1371","title":{"rendered":"[New Arrival] Kuniyoshi, Toyokuni, Shuntei, Gekko, Kamei Takejiro, Onchi Koshiro, Takei Takeo, Takahashi Shotei, Narazaki Eisho, Ota Masamitsu, Yamada Basuke, Koizumi Kishio and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo Murasaki Yoshiwara Genji” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Poems” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road and Thirty-six Fashionable Restaurants of the Eastern Capital” by Toyokuni III, Kuniyoshi and Yoshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Children” by Shuntei<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Recollections:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Recollections: True Views of the Fifty-three Stations of the Tokaido” by Kamei Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Japan, Illustrated” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mashiba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mashiba Hisayoshi Goes to War by Order of Ota Harunaga ” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Osaka: Frivolous Songs Matched with Beauties \/ Spring View of Do’tonbori” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Osaka: Frivolous Songs Matched with Beauties \/ Towers and Mansions at Ko’rai Bridge” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Osaka: Frivolous Songs Matched with Beauties \/ The Octopus Pine at Nakanoshima” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Osaka: Frivolous Songs Matched with Beauties \/ Snow at Dawn at the Eastern Hall” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain River on the Kiso Road \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Night Views of Kanazawa in Musashi Province \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ukiyo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ukiyo-e Prints: Abuna-e” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Midsummer Noon’s Dream” by Onchi Koshiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 3” by Yamaguchi Susumu, Maekawa Senpan, Hatsuyama Shigeru, Hiratsuka Unichi, Onchi Koshiro and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 5” by Yamaguchi Susumu, Maekawa Senpan, Sekino Junichiro, Onchi Koshiro, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 6” by Yamaguchi Susumu, Hiratsuka Unichi, Onchi Koshiro, Hashimoto Okiie, Kawakami Sumio and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 7” by Yamaguchi Susumu, Maekawa Senpan, Sekino Junichiro, Onchi Koshiro, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 8” by Yamaguchi Susumu, Maekawa Senpan, Sekino Junichiro, Onchi Koshiro, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Han no kai \/ Volume 9” by Yamaguchi Susumu, Maekawa Senpan, Sekino Junichiro, Onchi Koshiro, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kunugi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kunugi \/ Volume 8”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mannen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mannen Bridge” by Takahashi Shotei<\/strong> (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edomizaka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edomizaka” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumiyoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumiyoshi Ferry, Tsukuda” by Narazaki Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moon at the Kamakura Beach” by Narazaki Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shinagawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shinagawa in the Moonlight” by Yamada Basuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of the Modern Stage \/ No. 4: Mizutani Yaeko as Madame Butterfly” by Ota Masamitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Nigao \/ Volume 2 of the First Year” by prints by Natori Shunsen, Yamamura Koka, Terasawa Kotaro, Ishii Hakutei and Ogawa Hyoe\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Nigao \/ Special Issue, Volume 5 of the First Year” by prints by Natori Shunsen, Ogawa Hyoe, Kondo Hiroshi, Ishizuka Kan, Koito Gentaro and Matsuda Seifu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album of Shanks’ Mare to Famous Places of the Tokaido Road” by Fujikawa Tamenobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Early
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Early Summer” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dining
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dining Hall, Uchihara Training Center” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for Treasure Island and the Jungle Book” by Mukai Junkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Baroque
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Baroque Modern Music” by Fukunaga Takehiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poems
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poems and Prints: Ryukyu” by poems by Noguchi Shoji; prints by Gima Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 50: The Spinning Top Is Here” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Nantai, Okunikko” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Yunoko, Okunikko” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ryuzu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ryuzu Waterfall, Okunikko” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Golden Pavilion” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Lanterns in the Kasuga Shrine\u3000(tentative title)” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sarusawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sarusawa Pond” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Magnolia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Magnolia” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cotton
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cotton Rosemallow” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Narcissus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Narcissus pseudonarcissus” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Postcard” by Matsuda Yoshiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Copper
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Copper prints collection” by Jo Keito\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hana zo mukashi no” by Ogata Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Prints of Western Japan \/ Volumes 7 and 9” by edited by Sakata Kichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Edo Murasaki Yoshiwara Genji” by Kuniyoshi “Thirty-six Selected Poems” by Unknown “Actors for the Fifty-three Stations of the Tokaido Road and Thirty-six Fashionable Restaurants of the Eastern Capital” by Toyokuni III, Kuniyoshi and Yoshinobu “Customs of Children” by Shuntei “Children at Play” by Shuntei “Recollections: True Views of the Fifty-three Stations of the Tokaido” by […]<\/p>\n","protected":false},"author":1,"featured_media":1380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1371"}],"version-history":[{"count":9,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1371\/revisions"}],"predecessor-version":[{"id":1382,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1371\/revisions\/1382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1380"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}