{"id":1345,"date":"2025-08-02T18:30:38","date_gmt":"2025-08-02T09:30:38","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1345"},"modified":"2025-08-02T21:12:51","modified_gmt":"2025-08-02T12:12:51","slug":"new-arrival-maekawa-senpan-saito-musashi-ishiwata-koitsu-ito-yuhan-ono-bakufu-oshita-tojiro-hokusai-hiroshige-toyokuni-kuniyoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1345","title":{"rendered":"[New Arrival] Maekawa Senpan, Saito Musashi, Ishiwata Koitsu, Ito Yuhan, Ono Bakufu, Oshita Tojiro, Hokusai, Hiroshige, Toyokuni, Kuniyoshi and others"},"content":{"rendered":"

[Announcement of Summer Holidays]<\/b>
\nYAMADA SHOTEN will be closed for annual summer holidays from Sunday, 10th August to Sunday, 17th August.
\nOur online store is open to receive orders, but we will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Monday, 18th August.
\nWe are sorry for any inconvenience caused. We appreciate your understanding.<\/p>\n

\n
\n
\n\t\t
\n\t\t\"Hanga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanga Yokusenfu” by Maekawa Senpan<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fourth
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fourth series of Hanga Yokusenfu” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifth
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifth series of Hanga Yokusenfu” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Female
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Female Nudes” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small woodblock prints” by Saito Musashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ikegami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ikegami Honmonji Temple (The Niomon Gate)” by Ishiwata Koitsu (Shoichiro)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape” by Ito Yuhan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Camellia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Camellia (tentative title)” by Ono Bakufu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spiny
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spiny Lobster” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish (tentative title)” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ Crucian Carp” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings” by Oshita Tojiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 3” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 5” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 11” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 12” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 15” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 20” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 22” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 23” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 30” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Types \/ No. 37” by Watanabe Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road: A Picture Book of Highway Bells \/ Totsuka” by Hokusai<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations \/ Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tokaido Road – The Fifty-three Stations \/ No. 6: Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Totsuka” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of the Eastern Capital \/ The Toyoda Restaurant: Mashiba Hisayoshi” by Toyokuni III and Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of the Eastern Capital \/ The Kawacho Restaurant: Kakuju” by Toyokuni III and Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of the Eastern Capital \/ The Tomoeya Restaurant at Kameido: Tomoe Gozen” by Toyokuni III and Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ The Shirabyoshi Dancer Sakurako” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Oyamada’s Daughter Otaka” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Chaya Mawari Sankichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Tsukuba Moemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ En’ya Hangan Takasada” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Koshiba Hikozo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Matasuke’s Younger Sister Otsuyu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Komurasaki of the Miuraya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Banjaku Taro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ View of Totsuka” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ View of Totsuka” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Totsuka” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The False Ikkyu Preaching to the Bill Collectors” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes of the Taiheiki \/ Hori Ranmaru Nagayasu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes of the Taiheiki \/ Takenaka Kanbyo’e Shigeharu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes of the Taiheiki \/ Hida Magohyo’e Masatoshi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes of the Taiheiki \/ Tatsugawa Sakon Katsumasa” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Brave Retainers of Oguri \/ Kazama Hachiro Masakuni” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selected
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selected Modern Lifesized Dolls \/ Inside the Temporary Rental Room” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Fan \/ No. 6: Totsuka” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy and Pictures for the Fifty-three Stations of the Tokaido \/ Totsuka in Sagami Province: Counterattack” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy and Pictures for the Fifty-three Stations of the Tokaido \/ Totsuka in Sagami Province: Counterattack” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors Play Doctor with Okame no Hachimoku” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[Announcement of Summer Holidays] YAMADA SHOTEN will be closed for annual summer holidays from Sunday, 10th August to Sunday, 17th August. Our online store is open to receive orders, but we will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Monday, 18th August. We […]<\/p>\n","protected":false},"author":1,"featured_media":1349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1345"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1345\/revisions"}],"predecessor-version":[{"id":1359,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1345\/revisions\/1359"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1349"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}