{"id":1336,"date":"2025-07-26T18:30:32","date_gmt":"2025-07-26T09:30:32","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1336"},"modified":"2025-07-26T15:06:52","modified_gmt":"2025-07-26T06:06:52","slug":"new-arrival-hiratsuka-unichi-a-leading-figure-in-the-sosaku-hanga","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1336","title":{"rendered":"[New Arrival] HIRATSUKA UNICHI – a Leading Figure in the Sosaku hanga"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Holy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Holy Resurrection Cathedral in Snow” by Hiratsuka Unichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views after the Earthquake in Tokyo \/ Tsukiji” by Hiratsuka Unichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views after the Earthquake in Tokyo \/ Wadakura Gate” by Hiratsuka Unichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tulip
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tulip Tree in April” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maple
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maple Tree on the Potomac Riverbank” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pond
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pond in Byodo-in” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude Tenpyo Onigawara” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mrs.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mrs. Hatanaka, a Black Diamond” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude Figure of Reclining Woman” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hairdresser
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hairdresser” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foot
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foot of Mount Amagi” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird and Flower” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji seen from Sagami-nada” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Okutama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Okutama in Autumn” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yudonosan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yudonosan Daikokuten ” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of Hiroko” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"M
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“M Street, Georgetown, Washington, D.C.” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Off
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Off the Coast of Long Beach” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Ikejiri, Setagaya” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daphniphyllum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daphniphyllum macropodum, Inspired by the Manyoshu” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Moon at Senkaku Bay in Sado” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mission
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mission in Los Angeles” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tsukushi,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tsukushi, Inspired by the Manyoshu” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Kintai Bridge on a Fine Autumn Day” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wooden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wooden Daikokuten” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toy Dog” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird on the Table” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Moat” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kofuku-ji,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kofuku-ji, Nagasaki” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Mirror (1)” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Autumn” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tile
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tile” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodpecker
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodpecker” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Sagami Province” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tri-color
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tri-color Hare Plate” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cheomseongdae
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cheomseongdae Stone Observatory, Gyeongju, Korea” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning Glory” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Amagi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Amagi in Backlight” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue Cave” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Doji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Doji Playing the Flute” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shower” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Young
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Young Japanese Banana” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Misty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Misty Moonlight” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of Hiroko (tentative title)” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Aoki” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Early
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Early Spring at Komoro” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mexican
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mexican Bird Whistle” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gold
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gold Paperweight from Ghana” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Holy Resurrection Cathedral in Snow” by Hiratsuka Unichi “Views after the Earthquake in Tokyo \/ Tsukiji” by Hiratsuka Unichi “Views after the Earthquake in Tokyo \/ Wadakura Gate” by Hiratsuka Unichi “Tulip Tree in April” by Hiratsuka Unichi “Maple Tree on the Potomac Riverbank” by Hiratsuka Unichi “Pond in Byodo-in” by Hiratsuka Unichi “Nude Tenpyo […]<\/p>\n","protected":false},"author":1,"featured_media":1338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1336"}],"version-history":[{"count":2,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1336\/revisions"}],"predecessor-version":[{"id":1339,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1336\/revisions\/1339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1338"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}