{"id":1298,"date":"2025-06-28T18:30:52","date_gmt":"2025-06-28T09:30:52","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1298"},"modified":"2025-06-28T18:33:31","modified_gmt":"2025-06-28T09:33:31","slug":"new-arrival-ono-bakufu-tomimoto-kenkichi-suzuki-shintaro-ido-masao-takeda-shinzaburo-yoshiiku-kunichika-toyokuni-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1298","title":{"rendered":"[New Arrival] Ono Bakufu, Tomimoto Kenkichi, Suzuki Shintaro, Ido Masao, Takeda Shinzaburo, Yoshiiku, Kunichika, Toyokuni and others"},"content":{"rendered":"

[News] 2025 The 60th annual Tanabata Auction<\/b>
\n\"2025<\/a>
\nStarting on Friday, July 4 the Tanabata Auction, organized by Meiji Kotenkai.
\nWe look forward to seeing you there.
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Japanese Fish Picture Collection \/ No. 4 of Volume 1: Bera” by Ono Bakufu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Japanese Fish Picture Collection \/ No. 9 of Volume 1: Kawahagi(File-fish)” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Japanese Fish Picture Collection \/ No. 11 of Volume 1: Karei(Halibut)” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Self-carved
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Self-carved Prints by Tomimoto Kenkichi” by Tomimoto Kenkichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Doll
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Doll print collection” by Suzuki Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fourth
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fourth series of Hanga Yokusenfu \/ Naruko” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ Cherry blossoms at Night at Ishikawa Gate” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Winter in Kenrokuen” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Edomura” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ Nagamachi in winter” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ View of the Asano River” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Kenrokuen Ganko Bridge” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Oyama-jinja Shrine” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Higashiyama” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ The Former Fourth National High School” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Saikawa Riverside” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Scenes with Flowers \/ Summer” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Decorative
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Decorative Art for Gion Festival \/ Volumes 1-3” by Goto Hakuzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Young
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Young Lady in Oaxaca” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nature
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nature” by Miyashita Tokio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ballad
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ballad of Dawn” by Miyashita Tokio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Nara” by Miyashita Tokio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for stage settings” by Miwa Chosei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bathhouse
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bathhouse of the Koshiya at Edo-machi nichome” by Yoshiiku<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imayo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imayo Genji Sekihitsu” by Kunichika<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections of Charming Figures” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections of Charming Figures” by Kunichika and Ryoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 32: Umegae” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 43: Kobai” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 52: Kagero” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The O’i River, Tokaido” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road: The O’i River” by Kunimasa II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Oi River (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Kanagawa: Panoramic View from Kanagawadai toward Yokohama Honmoku” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Mitsuke: Ferryboat on the Tenryu River” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sightseeing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sightseeing at a Flourishing Theater” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"No.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“No. 4: Anno Heibei and Hotei Ichiemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"No.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“No. 5: Gokuin Sen’emon and Kaminari Shokuro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-four Chapters of Genji \/ Maboroshi and Niou no miya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-four Chapters of Genji \/ Otome and Hatsune” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Kawasaki: Shirai Gonpachi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Totsuka: Hayano Kanpei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo Grand Sumo: Mirror of Sumo Wrestlers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kikujido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kikujido” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ O’tani Hiroemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Nakamura Utaemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Sawamura Cho’juro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Iwai Kumesaburo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Onoe Tamizo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Bando Shuka” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Combined
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Combined Pictures and Calligraphy of Actor-Poets \/ Ichikawa Kuzo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Flowers Expressing Their Feelings \/ No. 3: Hanasaki and Tsunagoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono” by Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] 2025 The 60th annual Tanabata Auction Starting on Friday, July 4 the Tanabata Auction, organized by Meiji Kotenkai. We look forward to seeing you there. \u2192Click here for details “Great Japanese Fish Picture Collection \/ No. 4 of Volume 1: Bera” by Ono Bakufu “Great Japanese Fish Picture Collection \/ No. 9 of Volume […]<\/p>\n","protected":false},"author":1,"featured_media":1309,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1298"}],"version-history":[{"count":13,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1298\/revisions"}],"predecessor-version":[{"id":1312,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1298\/revisions\/1312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1309"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}