{"id":128,"date":"2023-03-18T18:19:41","date_gmt":"2023-03-18T09:19:41","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=128"},"modified":"2023-03-18T18:19:41","modified_gmt":"2023-03-18T09:19:41","slug":"new-arrival-sam-francis-takehisa-yumeji-yoshida-toshi-morita-tsunetomo-ito-hikozo-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=128","title":{"rendered":"[New Arrival] Sam Francis, Takehisa Yumeji, Yoshida Toshi, Morita Tsunetomo, Ito Hikozo and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue stone” by Sam Francis\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monument
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monument Valley” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints by Kitsutsuki-kai \/ Volume 2” by Hashimoto Okiie, Maeda Masao, Shimozawa Kihachiro, Kitaoka Fumio, Muto Kanichi, Hiratsuka Unichi and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape Prints of Japan \/ Series 5, Amakusa” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wood
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wood engraving collection : Kaiko-Cho” by Nishikawa Totaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty one views of Ezo” by Omoto Yasushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alpine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alpine flowers” by written by Takeda Hisayoshi \/ illustrations by Funazaki Kojiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo (Luxury Collector’s Edition)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kintaro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kintaro” by Ito Hikozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bamboo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bamboo Shoot” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tatsuta-
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tatsuta- Hime” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"She
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“She is waiting Spring.” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The lake on the mountain” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The frog” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The dancer in Asakusa” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beautiful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beautiful woman” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"approaching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“approaching a mountain in the distance” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The midnight sun” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haruna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haruna snow” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The girl in the wide plain” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At recess-1” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At recess-2” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mt.Horaisan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mt.Horaisan” by Yokoyama Taikan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Choyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Choyo eito” by Yokoyama Taikan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dawn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dawn color” by Yokoyama Taikan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wind
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wind” by Hishida Shunso\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons Landscape” by Hishida Shunso\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring sunny” by Kodama Kibo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hakone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hakone Lake” by Imamura Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Loquat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Loquat and Java Sparrow” by Imamura Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Entsu's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Entsu’s Hermitage” by Tomioka Tessai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jinmu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jinmu horai” by Tomioka Tessai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dancers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dancers on a plane” by John Cage, Merce Cunningham, Jasper Johns\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Leonard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Leonard Foujita image et parole” by Fujita Tsuguharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Night Scene of the Tea-house \/ A Beauty of Summer \u3010Reproduction\u3011” by Eisen, Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nakamura-Noshio,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nakamura-Noshio, a Kabuki Actor on the Stage \/ IIlumination at Ryogoku,Part 2\uff08set in 3) \u3010Reproduction\u3011” by Kunimasa, Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"IIlumination
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“IIlumination at Ryogoku,Part \u2160\uff08set in 3) \/ Kumadori, Make-up of a Kabuki Actor\u3010Reproduction\u3011” by Utamaro, Shunko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Man
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Man and Woman beside a free-standing screen \/ Geisha in Naniwa” by Utamaro, Choki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauty with Comb, from the series ”Eight Views of Famous Tea-stalls in Celebrated Places” \/ The Actor Sawamura S\u00f4j\u00fbr\u00f4 3rd (Kinokuniya)” by Utamaro, Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese-style
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese-style lamp and Courtesan \/ Ryogoku Fireworks \u3010Reproduction\u3011” by Kunisada I, Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” A Beauty at a Spinning Work \/ A Beauty in a Pose” by Utamaro, Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Blue stone” by Sam Francis “Monument Valley” by Yoshida Toshi “Prints by Kitsutsuki-kai \/ Volume 2” by Hashimoto Okiie, Maeda Masao, Shimozawa Kihachiro, Kitaoka Fumio, Muto Kanichi, Hiratsuka Unichi and other artists “Landscape Prints of Japan \/ Series 5, Amakusa” by Morita Tsunetomo “Wood engraving collection : Kaiko-Cho” by Nishikawa Totaro “Twenty one views of […]<\/p>\n","protected":false},"author":1,"featured_media":132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=128"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":137,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions\/137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/132"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}