{"id":1278,"date":"2025-06-21T18:30:37","date_gmt":"2025-06-21T09:30:37","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1278"},"modified":"2025-06-21T14:50:15","modified_gmt":"2025-06-21T05:50:15","slug":"new-arrival-natori-shunsen-torii-kotondo-yamamura-koka-kawakami-sumio-yamataka-noboru-serizawa-keisuke-takei-takeo-yoshitaki-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1278","title":{"rendered":"[New Arrival] Natori Shunsen, Torii Kotondo, Yamamura Koka, Kawakami Sumio, Yamataka Noboru, Serizawa Keisuke, Takei Takeo, Yoshitaki and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Nigao \/ Volume 1 of the First Year” prints by Natori Shunsen<\/strong>, Matsuda Seifu, Torii Kotondo<\/strong>, Ogawa Hyoe and Yamamura Koka<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Nigao \/ Volume 2 of the First Year” prints by Natori Shunsen, Yamamura Koka, Terasawa Kotaro, Ishii Hakutei and Ogawa Hyoe\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Nigao \/ Special Issue, Volume 5 of the First Year” prints by Natori Shunsen, Ogawa Hyoe, Kondo Hiroshi, Ishizuka Kan, Koito Gentaro and Matsuda Seifu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Postcards by Shinhanga Shudan \/ Volume 1 and 2” edited by Fujimaki Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokohama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokohama Kaiko” by Kawakami Sumio<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamataka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamataka Noboru’s Complete Woodcut Works 1957-1990, Special Edition”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letters
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letters and woodblock small works” by Yamataka Noboru<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Glass
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Glass painting: Matsuchi Ferry” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical One Hundred Poems by One Hundred Poets” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamataka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamataka Noboru Exlibris collection” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamataka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamataka Noboru Exlibris collection” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Katazome
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Katazome Design Tempates for Small Plates” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Exlibris for Mr. Nakamura” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 57: Kappa Kawataro” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 94: Takasugi Shinsaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 94: Takasugi Shinsaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon shibun-sho” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 110: Kyonosuke and Chigusa” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 123: Bangasa kitan” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 129: Naked Woman Nesai” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Riyaka-ke
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Riyaka-ke no hitobito” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gangu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gangu shishu” by Hino Ashihei and Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Books
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Books for Kozankai \/ Nos. 1-16 and 25-42” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints by Yoshio: Linoleum” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yushuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yushuki” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kahakudo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kahakudo gatari” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn” prints by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Travelogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Travelogue of America” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nostalgia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nostalgia for Northern Country”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poems:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poems: Carex morrowii”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prayers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prayers of Suwa” by Kamisaki Sunao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris collection” by Sekine Toshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris collection” by Shinohara Cao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inokashira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inokashira” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shunshoku Umegoyomi” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shunshoku Umegoyomi” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tabi Suzume Aiyado-banashi” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tabi Suzume Aiyado-banashi” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Genpei Tsutsuji” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Wada Kassen” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Modorikago Iro ni Aikata” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Taiga Seishinroku” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Taiga Seishinroku” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Keisei Hana no E-awase” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sekitori Senryo Nobori” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Keisei Ishikawa-zome” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hachijin Shugo no Honjo” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ishikawa-zome
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ishikawa-zome” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Signs of the Zodiac \/ Horse (Uma): Kachidoki Mibae Genji” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Five Elements \/ Wood (Moku): Sugawara Denju Tenarai Kagami” by Yoshitaki\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Shin Nigao \/ Volume 1 of the First Year” prints by Natori Shunsen, Matsuda Seifu, Torii Kotondo, Ogawa Hyoe and Yamamura Koka “Shin Nigao \/ Volume 2 of the First Year” prints by Natori Shunsen, Yamamura Koka, Terasawa Kotaro, Ishii Hakutei and Ogawa Hyoe “Shin Nigao \/ Special Issue, Volume 5 of the First Year” […]<\/p>\n","protected":false},"author":1,"featured_media":1286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1278"}],"version-history":[{"count":11,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1278\/revisions"}],"predecessor-version":[{"id":1290,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1278\/revisions\/1290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1286"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}