{"id":1271,"date":"2025-06-14T18:30:13","date_gmt":"2025-06-14T09:30:13","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1271"},"modified":"2025-06-14T17:07:15","modified_gmt":"2025-06-14T08:07:15","slug":"new-arrival-toyokuni-kunisada-yoshitora-yoshiiku-kunichika-chikanobu-chikayoshi-kuniaki-kunimatsu-kunimasa-chikuyodo","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1271","title":{"rendered":"[New Arrival] Toyokuni, Kunisada, Yoshitora, Yoshiiku, Kunichika, Chikanobu, Chikayoshi, Kuniaki, Kunimatsu, Kunimasa, Chikuyodo"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Gojo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gojo Bridge” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Date Kurabe Okuni Kabuki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sakura Soshi Gonichi Bundan” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroic Commoners in Kabuki \/ Kisaburo’s Wife Oiso” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroic Commoners in Kabuki \/ Ude no Kisaburo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Top
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Top Stars with Their Own Calligraphy \/ Ume no Yoshibei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Benten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Benten Kozo Kikunosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nikki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nikki Danjo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 11: Hanachirusato” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 16: Sekiya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 18: Matsukaze” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 34: Wakana no jo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 37: Yokobue” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 38: Suzumushi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Selected Boatmen Entering the Harbor” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hana asobi Yukari no Azumaya” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"In
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“In the Great City of Edo, Three Flourishing Businesses Each Make One Thousand Gold Pieces a Day” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady Murasaki’s Genji Cards \/ No. 8: Hana no en” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady Murasaki’s Genji Cards \/ No. 6: Suetsumuhana” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Nakamura Shikan as Gotobei” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tamuke no Shikishi Kakitsu no Futsutsuka” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Glimpses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Glimpses of Actors Backstage \/ Bando Hikosaburo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Glimpses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Glimpses of Actors Backstage \/ Kawarazaki Gonjuro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kanjincho” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Edo \/ Returning Sails at Yanagibashi: Kurofune no Sendo Tanokichi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Bando Mitsugoro as Yukioka Rikimatsu in Kumo no Ito Nishiki no Shiranui” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Tossho as Kametani Tamonnosuke in Kumo no Ito Nishiki no Shiranui” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Kawarazaki Gonjuro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Tanosuke as Kijin Omatsu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Good and Evil Beauties \/ Osame no Kata” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tane-hisago Shinsho Taikoki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Taira no Kanemori” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Saigu no Nyogo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Sojo Henjo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Minamoto no Kintada” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Ono no Komachi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance Performance at the Shintomi Theater” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heating
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heating Sake over a Fire of Maple Leaves” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Choga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Choga Kyoshinkai \/ Nishi-hachijo Villa from Seisuiki” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meiji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meiji Emperor and Empress Enjoying a Performance” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Iwai Hanshiro VIII” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Beauties” by Chikayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Imperial Excursion to Maruyama in Shiba Park” by Kuniaki II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Bando Hikosaburo V” by Kuniaki II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kumo ni Magou Ueno no Hatsuhana” by Kunimatsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kagotsurube Sato no Eizame” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shin-Kiyomizu Hana no Goshozome” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Wakaki no Hana Shiki no Furigoto” by Chikuyodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blood
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blood Supper : Art of Yoshitoshi” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuniyoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuniyoshi Heroes: Heroes from Tales of the Water Margin” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuniyoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuniyoshi” by Suzuki Juzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Culture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Culture of Firemen in Style ” by \t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Gojo Bridge” by Toyokuni III “Kabuki Play: Date Kurabe Okuni Kabuki” by Toyokuni III “Kabuki Play: Sakura Soshi Gonichi Bundan” by Toyokuni III “Heroic Commoners in Kabuki \/ Kisaburo’s Wife Oiso” by Toyokuni III “Heroic Commoners in Kabuki \/ Ude no Kisaburo” by Toyokuni III “Scene from a Kabuki Play” by Toyokuni III “Top Stars […]<\/p>\n","protected":false},"author":1,"featured_media":1277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1271"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1271\/revisions"}],"predecessor-version":[{"id":1276,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1271\/revisions\/1276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1277"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}