{"id":1247,"date":"2025-05-24T18:30:56","date_gmt":"2025-05-24T09:30:56","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1247"},"modified":"2025-05-24T15:51:03","modified_gmt":"2025-05-24T06:51:03","slug":"new-arrival-kawase-hasui-tsuchiya-koitsu-yoshida-hiroshi-takahashi-shotei-ishiwata-koitsu-kasamatsu-shiro-ohara-koson-ito-shinsui-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1247","title":{"rendered":"[New Arrival] Kawase Hasui, Tsuchiya Koitsu, Yoshida Hiroshi, Takahashi Shotei, Ishiwata Koitsu, Kasamatsu Shiro, Ohara Koson, Ito Shinsui and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Lanterns
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lanterns” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty Views of Tokyo \/ Sakurada Gate” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn Moon at Ishiyama Temple” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Scenes of Cherry Blossom \/ An Avenue of Cherry Trees in Full Bloom” by Yoshida Hiroshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji from Miho” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tennoji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tennoji Temple, Yanaka” by Takahashi Shotei (Hiroaki)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Fuji from Miho” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Otome
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Otome Pass” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Urashima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Urashima Temple in Kanagawa-cho, Yokohama” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Port
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Port of Yokohama” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moon over Tsuchiura” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shibu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shibu Hotspring in Shinano” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twilight,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twilight, Honami Hotspring in Shinano” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shirahone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shirahone Hotspring in Shinano” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matsumoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matsumoto Castle in Shinano” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fishing Boat (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gold-fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gold-fish Basin and Cat” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sparrow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sparrow and Wisteria (tentative title)” by Ohara Koson(Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nanten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nanten Bush and Sparrows in Snow (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow” by Ito Shinsui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Dawn at Kanbayashi” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Late Spring Evening at Komoro” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Takibara, Kitasaku” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Evening Snow at Komoro” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Frosty Morning” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Early Spring at Karuizawa” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Tsutsujigahara in Early Summer” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Spring at the Foot of Mount Asama” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Chikuma River in Early Summer” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Shinano \/ Autumn at Lake Nojiri” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Greeting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Greeting to the Audience” by Kamoshita Choko and Torii Kiyotada\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Kusatsu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Oiso” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 8, Hiratsuka: Ferry on Banyu River and Distant View of Mount O’yama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 32, Arai: Ferryboats” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 33, Shirasuka: Shiomizaka” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 36, Goyu: Evening View” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 39, Okazaki: Yahagi River” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 41, Narumi: Shibori Tie-dyeing Shops” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True View of Bashamichi from Yoshida Bridge, Yokohama” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Having
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Having Achieved Their Goal, the Faithful Samurai Withdraw to Sengoku-ji Temple and Assemble There” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kotoba no Hana Momiji no Yozakari” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Six Selected Heroes \/ Yamamoto Kansuke Nyudo Dokisai” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Noko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Noko no Kami Noritsune” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Date Zensei Sakura no Iromaku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji-e” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Pictorial Commentary on One Hundred Poems by One Hundred Poets \/ No. 8: Kisen Ho’shi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kazashi no Hana Shibai no Sangatsu (?)” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle of the Akama Straits at Dan-no-ura in Choshu” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Musashi Province \/ Ochanomizu, Suidobashi” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Fire at Ryogoku Drawn from Hama-cho” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Powerful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Powerful Actors in a Snowstorm of Blossoms \/ Actor Sawamura Tanosuke III as Imaushiwaka no Denji” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Lanterns” by Kawase Hasui “Twenty Views of Tokyo \/ Sakurada Gate” by Kawase Hasui “Autumn Moon at Ishiyama Temple” by Tsuchiya Koitsu “Eight Scenes of Cherry Blossom \/ An Avenue of Cherry Trees in Full Bloom” by Yoshida Hiroshi “Fuji from Miho” by Yoshida Hiroshi “Tennoji Temple, Yanaka” by Takahashi Shotei (Hiroaki) “Mount Fuji from […]<\/p>\n","protected":false},"author":1,"featured_media":1253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1247"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1247\/revisions"}],"predecessor-version":[{"id":1254,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1247\/revisions\/1254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1253"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}