{"id":1229,"date":"2025-05-10T18:30:05","date_gmt":"2025-05-10T09:30:05","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1229"},"modified":"2025-05-10T12:38:34","modified_gmt":"2025-05-10T03:38:34","slug":"new-arrival-hirezaki-eiho-fukiya-koji-ito-shinsui-okumura-togyu-tsuchiya-koitsu-okuyama-gihachiro-oda-kazuma-yamataka-noboru-kawakami-sumio-kiyochika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1229","title":{"rendered":"[New Arrival] Hirezaki Eiho, Fukiya Koji, Ito Shinsui, Okumura Togyu, Tsuchiya Koitsu, Okuyama Gihachiro, Oda Kazuma, Yamataka Noboru, Kawakami Sumio, Kiyochika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations” by Hirezaki Eiho<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations” by Ito Shinsui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations” by Ito Kikuzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji” by Okumura Togyu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morigasaki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morigasaki Coast” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yanagibashi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yanagibashi” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nikenchaya,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nikenchaya, Gion” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Satta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Satta Pass, Yui” by Okuyama Gihachiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fresh
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fresh Snow on the Sacred Bridge at Nikko” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fresh
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fresh Green at Lake Ashinoko, Hakone” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn Scene at Tachiki Kannon, Nikko” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cherry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cherry Blossoms at Toshogu in Ueno Park” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Eight Views of Nanao on the Noto Peninsula \/ Sunset Glow at Akauragata” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Eight Views of Nanao on the Noto Peninsula \/ Nagaura Highway in Rain” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Six Views of Tokyo \/ Shinobazu Pond” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn Scene” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Long
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Long Spring Day at Ubagaya” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mustard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mustard Field” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape of Alaska” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kotan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kotan (Village) People” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fake Old Map of Zipangu (Japan)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Mount Tarumae” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Aesop's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Aesop’s Fables” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Still
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Still Life” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Be
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Be Not Defeated by the Rain” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Gion Festival” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter in Ouchi-jyuku” by Sano Seiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Madame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Madame Butterfly House” by Suzuki Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Missionaries ; Maria Kannon from the Magazine The Ladies’ Graphic (Fujin Gurafu) ” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Travelogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Travelogue of Tibet” by Kurita Masahiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nest of the Sparrows” by Takagi Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Marble
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Marble” by Kuroda Shigeki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Youthful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Youthful Geisha” by Willy Seiler\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Willy Seiler\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Kaiun Bridge (Daiichi Bank in Snow) \u3010Reproduction\u3011” by Kiyochika<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Gas Pavilion at National Industrial Exhibition \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Shin-Ohashi Bridge in Tokyo in Rain \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Shinbashi Station \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Night Market at Asakusa \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Night View of Hikifune, Koume in Tokyo\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Horse Soldier at Niju Bridge \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Senbongui and Ryogoku Bridge \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ The Sea at Omori in the Morning \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ View of the Sea at Shinagawa \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Nihonbashi at Night\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Summer Night at Imado\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Mount Fuji Seen from Edobashi Bridge in the Evening\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Ryogoku in Snow \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Nipposha at Ginza Street, Tokyo \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of Tokyo \/ Wisteria at Kameido \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Illustrations” by Hirezaki Eiho “Illustrations” by Fukiya Koji “Illustrations” by Ito Shinsui “Illustrations” by Ito Kikuzo “Title unknown” by Azechi Umetaro “Fuji” by Okumura Togyu “Morigasaki Coast” by Tsuchiya Koitsu “Yanagibashi” by Tsuchiya Koitsu “Nikenchaya, Gion” by Saito Kiyoshi “Satta Pass, Yui” by Okuyama Gihachiro “Fresh Snow on the Sacred Bridge at Nikko” by Okuyama […]<\/p>\n","protected":false},"author":1,"featured_media":1240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1229"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1229\/revisions"}],"predecessor-version":[{"id":1239,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1229\/revisions\/1239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1240"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}