{"id":1204,"date":"2025-04-26T18:30:17","date_gmt":"2025-04-26T09:30:17","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1204"},"modified":"2025-04-25T16:31:40","modified_gmt":"2025-04-25T07:31:40","slug":"new-arrival-david-bull-wada-makoto-fukui-kotaro-awazu-kiyoshi-kuniyoshi-yoshitoshi-toyokuni-kunisada-kunichika-toshimoto-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1204","title":{"rendered":"[New Arrival] David Bull, Wada Makoto, Fukui Kotaro, Awazu Kiyoshi, Kuniyoshi, Yoshitoshi, Toyokuni, Kunisada, Kunichika, Toshimoto and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Hyaku-nin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hyaku-nin Isshu Hanga Series ” by David Bull<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono Album\u3000Vol.1-5
\n” by David Bull\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanga Treasure Chest `The Mystique of the Japanese Print\u2018” by David Bull\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"'Barbarella'
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“‘Barbarella’ Jane Fonda” by Wada Makoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Reflections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Reflections on Japanese Playing Cards \/ January” by Awazu Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ki” by Fukui Kotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red Tiger” by Kaneko Tomiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poppy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poppy” by Iwata Sohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shoin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shoin” by Izumi Haruomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris collection” by Kanamori Yoshio, Sato Yonejiro, Miyashita Tokio, Shimizu Yoko, Hagiwara Hideo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EX-LIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EX-LIBRIS by 10 Artists” by Kusaka Satomi, Sato Yonejiro, Yoshida Hodaka and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Collection in Memory of Shimo Taro” by Kanamori Yoshio, Omoto Yasushi, Sekino Junichiro, Serizawa Keisuke, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Zheng Tianshou” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Hu Sanniang, the Ten-foot Blue One” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actors Print” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mashiba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mashiba Hisayoshi Identifies the Severed Heads of Takechi and His Retainers” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"News
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“News of the Kagoshima Conquest” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo Jiman Uwasa no Benkei \/ Carpenter” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes of Darkness and Suffering \/ The Suffering of Worldly Desires: Sarushima Sota” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kinoshita Soga Megumi no Masagoji” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes in Moonlight \/ Daybreak: Shiranui Daijin” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Exemplars of the Five Elements \/ Water: Warships on the Western Sea; Taira no Tadamori” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sugawara Denju Tenarai Kagami” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Heroes Sasaki and Miyamoto: A Tale of Two Swords \/ No. 1: Yoshioka Taroemon, Sasaki Ganryu, and Ganryu’s Pupils” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for Thirty-six Selected Poems \/ Endo Musha Morito and Watanabe Wataru” by Toyokuni III and Gengyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Genji Moyo Furisode Hinagata” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Dog Heroes of Satomi \/ Inukai Genpachi Nobumichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sekitori Nidai no Shobuzuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sukeroku Sugata no Ura Ume” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imaginary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imaginary Portraits of Actors in the Role of Takao \/ Takao VIII” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Ichikawa Danjuro VIII” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Continuous Acts of The Storehouse of Loyal Retainers, a Primer \/ Act 1” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Changes \/ Sawamura Tossho” by Toyokuni II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Beauties Drawn from Life \/ Hanamurasaki” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 7: The Ichiriki Teahouse” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Modoribashi Koi no Tstunomoji” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Okige no Kumo Harau Asagochi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Valor of Our Country \/ Taira no Tadamori and the Oil Priest” by Shigenobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Colors of Ink \/ Black” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parrot
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parrot Komachi” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chikyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chikyu zenkai Raimei Kagami \/ Saeki no Komaro, Fujiwara no Kamatari, Prince Nakano O’e, Soga no Iruka and Wakainukai no Amita” by Toshimoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Products of Japan \/ Aki Province: Toothpick Seller at Itsukushima and Oyster Farming at Hiroshima” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Views of Famous Places in Edo \/ No. 40: Towboats on the Yotsugi-dori Canal” by Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flyer:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flyer: Seller of Women’s Accessories” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Navy and Army Heroes \/ Prime Minister Ito Concludes the Peace Treaty in Shimonoseki” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gossip
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gossip of Sino-Japanese War” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Second Army’s Occupation of Jinzhoucheng” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Fengtianfu: The Bivouac of Japanese Troops” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Hyaku-nin Isshu Hanga Series ” by David Bull “Surimono Album\u3000Vol.1-5 ” by David Bull “Hanga Treasure Chest `The Mystique of the Japanese Print\u2018” by David Bull “‘Barbarella’ Jane Fonda” by Wada Makoto “Reflections on Japanese Playing Cards \/ January” by Awazu Kiyoshi “Ki” by Fukui Kotaro “Red Tiger” by Kaneko Tomiyuki “Poppy” by Iwata Sohei […]<\/p>\n","protected":false},"author":1,"featured_media":1205,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1204"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1204\/revisions"}],"predecessor-version":[{"id":1211,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1204\/revisions\/1211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1205"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}