{"id":1184,"date":"2025-04-12T18:30:45","date_gmt":"2025-04-12T09:30:45","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1184"},"modified":"2025-04-12T14:56:03","modified_gmt":"2025-04-12T05:56:03","slug":"new-arrival-hiroshige-kuniyoshi-yoshikazu-toyokuni-kunisada-eisen-yoshida-hiroshi-tsuchiya-koitsu-yoshida-toshi-komura-settai-azechi-umetaro-yamaguchi-susumu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1184","title":{"rendered":"[New Arrival] Hiroshige, Kuniyoshi, Yoshikazu, Toyokuni, Kunisada, Eisen, Yoshida Hiroshi, Tsuchiya Koitsu, Yoshida Toshi, Komura Settai, Azechi Umetaro, Yamaguchi Susumu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido (Hoeido Edition)<\/strong> \/ Arai: Ferryboat” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido (Hoeido Edition) \/ Kuwana: Shichiri Crossing” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 21, Mariko: Selling the Famous Yam Soup at the Station” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 35, Yoshida: Great Bridge on the Toyo River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fierce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fierce Combat at the Battle of Kurikaradani” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto no Yoshitsune Encounters the Ghost of Taira no Tomomori” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night Attack at Bonno-ji Temple” by Yoshitomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of an American” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Generals
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Generals Takeda and Uesugi in Peace Negotiations at Kawanakajima in Shinano Province” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture Scroll of the Modern Genji” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Uraomote Chushingura” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Salary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Salary List of the Actors” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: O’gi byoshi O’oka Seidan” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of the Tokugawas: Cleaning up the Inner Palace” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spreads
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spreads from Light Snow in Spring” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seto Inland Sea, Tomonotsu” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hirosaki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hirosaki Castle” by Yoshida Hiroshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takinoo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takinoo Shrine” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Black
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Black Panther” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Butterfly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Butterfly” by Komura Settai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Experimental
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Experimental Work (1)” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountains
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountains of Nagano” by Yamaguchi Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Odaira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Odaira Pass (Nagano)” by Tsuruta Goro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Corridor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Corridor of the Kasuga Shrine, Nara” by Yamashita Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Arashiya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Arashiya in the Fresh Green Season, Kyoto” by Yamashita Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hydrangea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hydrangea (tentative title)” by Unno Mitsuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Okada Koyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Okada Koyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Hasegawa Kanajo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Hasegawa Kanajo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Kawahigashi Hekigoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Kawahigashi Hekigoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Idiom
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Idiom” by Kanamori Tokujiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Short
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Short sentence” by Kanamori Tokujiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Avaivartika
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Avaivartika” by Kanamori Tokujiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quote
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quote from a poem by Bai Juyi” by Katayama Tetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quote
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quote from a poem by Bai Juyi” by Katayama Tetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Tomiyasu Fusei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Gosho Heinosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Yamaguchi Seison\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Samukawa Sokotsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tanka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tanka” by Kawada Jun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Murakami Kijo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Hoshino Bakujin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Abe Shinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poem
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poem by Sugawara no Michizane” by Sugawara Tsusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Kita Reikichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quote
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quote by Sugita Genpaku” by Ogata Tomio\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fifty-three Stations of the Tokaido (Hoeido Edition) \/ Arai: Ferryboat” by Hiroshige I “Fifty-three Stations of the Tokaido (Hoeido Edition) \/ Kuwana: Shichiri Crossing” by Hiroshige I “Famous Sights of the Fifty-three Stations \/ No. 21, Mariko: Selling the Famous Yam Soup at the Station” by Hiroshige I “Famous Sights of the Fifty-three Stations \/ […]<\/p>\n","protected":false},"author":1,"featured_media":1186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1184"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1184\/revisions"}],"predecessor-version":[{"id":1191,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1184\/revisions\/1191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1186"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}