{"id":1120,"date":"2025-02-22T18:30:43","date_gmt":"2025-02-22T09:30:43","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1120"},"modified":"2025-02-22T18:52:03","modified_gmt":"2025-02-22T09:52:03","slug":"new-arrival-satomi-katsuzo-hoshi-joichi-iwasaki-chihiro-kuri-yoji-kawakami-sumio-funakoshi-yasutake-kuniyoshi-kuniyasu-toyokuni-chikanobu-kiyochika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1120","title":{"rendered":"[New Arrival] Satomi Katsuzo, Hoshi Joichi, Iwasaki Chihiro, Kuri Yoji, Kawakami Sumio, Funakoshi Yasutake, Kuniyoshi, Kuniyasu, Toyokuni, Chikanobu, Kiyochika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Cafe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cafe des Artistes” by Satomi Katsuzo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le Chateau d’Azay-le-Rideau” by Tamanouchi Mitsuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Raphsody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Raphsody in the dark” by Nagatomo Yuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning” by Hoshi Joichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers and Children” by Iwasaki Chihiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Unknown
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Unknown Fish” by Kuri Yoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kittens
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kittens” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Garden at Ryoanji Temple” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gate of the Donjon” by Hashimoto Okiie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daybreak
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daybreak Song” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crater
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crater Lake at Mount Aso” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Early
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Early Spring Table” by Mabuchi Toru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Amaryllis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Amaryllis” by Nakatani Tai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Afternoon” by Tsukuda Kimihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Arrival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Arrival of European Ship (Mirror)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beer Jug and Others” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moonlight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moonlight and the Glasses” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original box for Kanpon, No. 7” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original box for Kanpon, No. 3” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lola
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lola” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl A” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miss K” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nishiki-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nishiki-e related to Korea and Japan” by Chikanobu, Toyoshige II, Toshitane, Kuniaki II, Torashige, Kiyochika, Kunitoshi, Ginko, Kunimatsu, Ayaaki and unknown artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Sun Erniang, the Demon Mother” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ No. 4: Yugao” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese and Chinese Comparisons for the Chapters of Genji \/ Suma: Yamauba and Kaidomaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Kannon Temple in Asakusa” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Kimenzan and Shiranui” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ehankiri
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ehankiri” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ At the Foot of Do’kan Hill” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Ueno Mihashi” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Do’kan Hill” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Yanaka Tenno-ji Temple” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sight at Hommoku off the coast of Kanagawa\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Onmaya Embankment in the Eastern Capital\u3010Reproduction\u3011” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ New Yoshiwara \u3010Reproduction\u3011” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"8
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“8 Famous Places in the Eastern Capital \/ Autumn Moon Over the Ryogoku Bridge \u3010Reproduction\u3011” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mimachi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mimachi Ritual of Benten Shrine at Shinobazu in Edo\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Elopement
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Elopement of osen and her lover\u3010Reproduction\u3011\t” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sight after snow\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo Meisho (Celebrated Places of Edo) \/ Nio Gate at Ueno \u3010Reproduction\u3011” by Toyoharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night sight in the Kao mise season at the theater district of Sakai cho and Fukiya cho\u3010Reproduction\u3011” by Toyoharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Image in the Elegant Style of the Mountain Meguro\u3010Reproduction\u3011” by Toyokuni \u2160\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night rain Oyama from the set Meisho Hakkei\u3010Reproduction\u3011” by Toyokuni II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kintai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kintai Bridge collection of celebrated places in dutch oil painting style\u3010Reproduction\u3011” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow sight of Sumida river in Edo\u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"8
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“8 views of Omi \/ Night Rain at Karasaki \u3010Reproduction\u3011” by Kunitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumida
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumida river in Musashi province from the set Shokoku Meisho\u3010Reproduction\u3011” by Hokkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dragnet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dragnet fishing at Kujyukuri beach \u3010Reproduction\u3011” by Hokuju\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Cafe des Artistes” by Satomi Katsuzo “Le Chateau d’Azay-le-Rideau” by Tamanouchi Mitsuo “Raphsody in the dark” by Nagatomo Yuki “Morning” by Hoshi Joichi “Flowers and Children” by Iwasaki Chihiro “Unknown Fish” by Kuri Yoji “Kittens” by Inagaki Tomoo “Mountain” by Azechi Umetaro “Stone Garden at Ryoanji Temple” by Maeda Masao “Gate of the Donjon” by […]<\/p>\n","protected":false},"author":1,"featured_media":1129,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1120"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1120\/revisions"}],"predecessor-version":[{"id":1128,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1120\/revisions\/1128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1129"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}