{"id":1100,"date":"2025-02-08T18:30:43","date_gmt":"2025-02-08T09:30:43","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1100"},"modified":"2025-02-08T17:37:39","modified_gmt":"2025-02-08T08:37:39","slug":"new-arrival-toyokuni-kunisada-hiroshige-kuniyoshi-yoshitora-eisen-kuniyasu-kiyochika-toshiyuki-kunitoshi-saito-kiyoshi-takehisa-yumeji-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1100","title":{"rendered":"[New Arrival] Toyokuni, Kunisada, Hiroshige, Kuniyoshi, Yoshitora, Eisen, Kuniyasu, Kiyochika, Toshiyuki, Kunitoshi, Saito Kiyoshi, Takehisa Yumeji and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Life of O’boshi the Loyal” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Brief
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Brief History of Vengence of the Loyal Retainers \/ No. 2: Oboshi Yuranosuke Yoshio, the Leader of the Retainers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Mudflat in the Third Month” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traces
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traces of Genji \/ View of Edo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Parodies of the Seven Komachi \/ Gravepost” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kokusen’ya Kassen” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons \/ Summer: Sawamura Tossho” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of the Six Jewel Rivers \/ Ide” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Parodies of the Seven Komachi \/ Washing” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Komachi in Eastern Customs \/ Parrot Komachi” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo and Murasaki’s Genji \/ Mitate Ukifune” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Water’s Edge at Enoshima in Sagami Province: True View of Seven-Mile Beach” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiroshige's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiroshige’s posthumous works: Intermediate Tokaido Stations and Views on the Narita Highway” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Brow Shaped Like Mount Fuji” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Procession of Beauties Crossing the O’i River” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Annual
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Annual Events in the New Yoshiwara \/ The Tenth Month, the Festival of Ebisu” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Danjuro” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” The Storehouse of Loyal Retainers \/ Act 5 and 6″ by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Colors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Colors of Spring at Thirty-six Restaurants \/ The Yaohan Restaurant in San’ya” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pages
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pages from the Picture Book of Stage Fans” by Buncho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Famous Scenic Places in Japan \/ Kannonzaki” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Noted Courtesans \/ Koina and Koimurasaki of the Inamoto-ro” by Fusatane\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Actor Ichikawa Udanji Arriving at Shintomi Theater in Tokyo on May 23rd, 1882” by Toshiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parody of the Seven Gods of Good Fortune” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Warriors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Warriors of Imperial Japan \/ Minamoto no Yoritomo and Wada Yoshimori” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Takanawa” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tenno
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tenno Festival: Evening Festival and Morning Festival” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: The Storehouse of Loyal Retainers” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Collection of Dolls” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Collections of Ladies” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three-piece
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three-piece Kumiage: Palace Scene at Yoshino, New Play at the Meiji-za Theater” by Maki Kinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Collection of Incense Boxes” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Day at the Ogiya Brothel, Yoshiwara\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dog
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dog” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Louis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Louis Valtat” by Pierre-Auguste Renoir\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Houses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Houses on the Riverbank” by Shima Tamami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Leaning on a Chair” by Yasui Sotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seki no Koman in Tanba Yosaku matsuyo no komurobushi” by Yamamura Koka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pacific
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pacific Saury and Lemons” by Takagi Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Mexican Women Sitting” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Open
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Open Wide” by Akiyama Iwao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nigatsu-do
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nigatsu-do Hall in Nara” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Lonely Boredom” by Arima Yorichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letter with a painting” by Kondo Koichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Suzuki Mosaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 6 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 8 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 9 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hangi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hangi \/ Volumes 1-3 (Revived)” by Miyamoto Kyoshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Life of O’boshi the Loyal” by Toyokuni III “Brief History of Vengence of the Loyal Retainers \/ No. 2: Oboshi Yuranosuke Yoshio, the Leader of the Retainers” by Toyokuni III “View of the Mudflat in the Third Month” by Toyokuni III “Traces of Genji \/ View of Edo” by Toyokuni III “Fashionable Parodies of […]<\/p>\n","protected":false},"author":1,"featured_media":1104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1100"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1100\/revisions"}],"predecessor-version":[{"id":1111,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1100\/revisions\/1111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1104"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}