{"id":1073,"date":"2025-01-18T18:30:17","date_gmt":"2025-01-18T09:30:17","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1073"},"modified":"2025-01-18T16:45:44","modified_gmt":"2025-01-18T07:45:44","slug":"new-arrival-hamaguchi-yozo-akasegawa-genpei-saito-kiyoshi-watanabe-eiichi-takei-takeo-kuniyoshi-yoshitoshi-kunisada-chikanobu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1073","title":{"rendered":"[New Arrival] Hamaguchi Yozo, Akasegawa Genpei, Saito Kiyoshi, Watanabe Eiichi, Takei Takeo, Kuniyoshi, Yoshitoshi, kunisada, Chikanobu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print Book: Yozo Hamaguchi” by Hamaguchi Yozo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomason
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomason Apocalypse \/ No. 5: 3p.m:When the shadow crosses
\nthe border” by Akasegawa Genpei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gate Kamakura Myohon-ji\uff082\uff09” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Juvenile
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Juvenile Kingdom” by Watanabe Eiichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Juvenile
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Juvenile Kingdom (1), (2)” by Watanabe Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lost
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lost Traces” by Watanabe Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Family
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Family of Mount Hinoyama” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hachiman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hachiman Taro Yoshiie” by Kawakami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dialogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dialogue III” by Kawachi Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter Landscape (tentative title)” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Roman Girl” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kurishima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kurishima Sumiko” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain Landscape (tentative title)” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shugakuin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shugakuin Imperial Villa” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Five-storied Pagoda (tentative title)” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 26: Kocho Sansaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 27: Letter from a Princess” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 29: The Fifth World” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 124: Kahei and the Cat” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 125: Shin’s Magic” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 126: Berabo monogatari” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 127: Kato Kiyomasa” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 128: The Sage of Kudara” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 129: Naked Woman Nesai” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 130: The Child Who Came from the Moon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 131: Thousand-armed Kannon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 132: Wife of the Potter Kuriemon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 133: Thundergod and Windgod” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 134: Kaguyahime gojitsutan ” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Gongsun Sheng, the Dragon in the Clouds” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Throwing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Throwing Beans to Bring Good Luck from the Lucky Direction” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Valiant Drunken Tigers \/ Iba Shichiro” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Moon at Mount Miyaji: Moronaga” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers \/ Izumi Province: Cherry Blossoms at Minami District and Botange Shohaku” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers \/ Edo: Snow at Yoshiwara and Urazato” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poetry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poetry Contest of the Court Ladies after Snowfall” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yamabiraki Meguro no Shin-Fuji” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Meshitsukai Ohatsu and Onoe” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Shiohoshi no Yosa and Ko’mori Yasu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Aburaya Osome and Hisamatsu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Annual
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Annual Events at Famous Places in Tokyo \/ The Eleventh Month: Visit to Kanda Myojin Shrine” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The FIve Festivals \/ The Third Month” by Kyosui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Three Famous Views of Japan \/ Miyajima in Aki Province” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sekitori Senryo Nobori” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Second Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Third Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Fifth Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Sixth Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Ninth Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Ninth Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Eleventh Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months \/ The Eleventh Month” by Ichigyokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Overnight Guests\u3010Reproduction\u3011 ” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Print Book: Yozo Hamaguchi” by Hamaguchi Yozo “Tomason Apocalypse \/ No. 5: 3p.m:When the shadow crosses the border” by Akasegawa Genpei “Gate Kamakura Myohon-ji\uff082\uff09” by Saito Kiyoshi “Juvenile Kingdom” by Watanabe Eiichi “Juvenile Kingdom (1), (2)” by Watanabe Eiichi “Lost Traces” by Watanabe Eiichi “Family of Mount Hinoyama” by Azechi Umetaro “Hachiman Taro Yoshiie” by […]<\/p>\n","protected":false},"author":1,"featured_media":1081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1073"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1073\/revisions"}],"predecessor-version":[{"id":1078,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1073\/revisions\/1078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1081"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}