{"id":1050,"date":"2024-12-28T19:17:20","date_gmt":"2024-12-28T10:17:20","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1050"},"modified":"2024-12-28T19:17:20","modified_gmt":"2024-12-28T10:17:20","slug":"new-arrival-publications-related-to-shin-hanga-azechi-umetaro-tokuriki-tomikichiro-hiroshige-kuniyoshi-yoshitora-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1050","title":{"rendered":"[New Arrival] Publications related to Shin-hanga \/ Azechi Umetaro, Tokuriki Tomikichiro, Hiroshige, Kuniyoshi, Yoshitora and others"},"content":{"rendered":"

– Announcement of Winter Holidays –
\nThank you for your continued business with us.
\nYAMADA SHOTEN will be closed for annual winter holidays from Saturday, 28th December 2024 to Sunday, 5th January 2025<\/span>.
\nOur online store is open to receive orders, but we will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Monday, 6th January 2025.
\nWe are sorry for any inconvenience caused. We appreciate your understanding.<\/p>\n

\n
\n
\n\t\t
\n\t\t\"Geisha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Geisha Girl” written by Akiyama Aisaburo, printed by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catalogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tCatalogue of Woodcut Color Prints \/ Watanabe Shozaburo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Publications
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Publications related to Shin-hanga”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo” printed by Kawase Hasui \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Essays
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tEssays & Pictures \/ Shimada Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album of Alpine Flowers” written by Takeda Hisayoshi, illustrations by Funazaki Kojiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated book of stencil: Kojiki emaki” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Sculptures at the Teiten” by Ishii Tsuruzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript and Illustrations” by Mikumo Shonosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Shumi no tsurezure” by Masamune Tokusaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Western-style Paintings at the Tenth Teiten” by Adachi Genichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for Tsumi no kanata ni” by Ito Kikuzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Murmur
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Murmur of the Mountain” by Azechi Umetaro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty Views of Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape Prints Collection” by Morita Michikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Innocent
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Innocent Flower” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunset
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunset” by Saito Shinichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kato
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kato” by Oshima Tetsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunshine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunshine” by Hoshino Shingo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Girl Playing the Violin” by Sakuma Keiichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tosuke-san's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tosuke-san’s Face” by Tajima Seizo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sagara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sagara Doll” by Mori Ryokusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sange
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sange for Yakushiji Temple” by Maeda Seison, Kumagai Morikazu and Yoshioka Kenji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sange
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sange for Yakushiji Temple” by Sugimoto Kenkichi, Hayashi Takeshi and Kusube Yaichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 24, Shimada: The Suruga Side of the Oi River” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 22, Okabe: Mount Utsu Pass and Famous Dumplings” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Akabane Bridge and Zojo-ji Temple in Shiba” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Panoramic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Panoramic View of Enoshima” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons of Genji by Two Brushes \/ Summer: Enjoying the Cool of Evening at the Otonashi River in Oji” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Opening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Opening of the Railway: Night View of Shinbashi” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Ushimachi in Takanawa under the Hazy Moon” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Otonashi-mono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Otonashi-mono shusse kagami” by Shigehiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Strange
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Strange Tales of Popular Stars” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Selected Complete Map of Yokohama” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ The National Diet Building” by Chikamitsu?\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Views of the Fifty-three Stations of the Tokaido Road \/ Three Stations” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Views of the Fifty-three Stations of the Tokaido Road \/ Five Stations” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Kakegawa: Fukuoka Mitsugi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Yoshida: Woman Beckoning from Balcony” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Fukuroi: The Legend of Sakura-ga-ike” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Chiryu: Ariwara Narihira at Yatsuhashi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Numazu: Travellers” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Goyu: The Thatched Hut of Yamamoto Kansuke” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Mitsuke: The Cranes with Golden Tags” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Maisaka Station: Kezori Kuemon” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Fujikawa: Fujikawa Mizuemon” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Shono: Sasaki Shiro Takatsuna” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Taiwan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Taiwan” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pine at Karasaki” by Watanabe Tadahisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tosei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tosei iro zukushi” by Insuitei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suichu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suichu kajo Chaya zukushi” by Insuitei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enshoku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enshoku futaba genji \/ Volume 2” by Insuitei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Volume 1” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enshoku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enshoku Hana no en” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

– Announcement of Winter Holidays – Thank you for your continued business with us. YAMADA SHOTEN will be closed for annual winter holidays from Saturday, 28th December 2024 to Sunday, 5th January 2025. Our online store is open to receive orders, but we will not be able to answer any enquiries during that period. The […]<\/p>\n","protected":false},"author":1,"featured_media":1059,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1050"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1050\/revisions"}],"predecessor-version":[{"id":1058,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1050\/revisions\/1058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1059"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}