{"id":1035,"date":"2024-12-21T18:30:05","date_gmt":"2024-12-21T09:30:05","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1035"},"modified":"2024-12-28T18:46:49","modified_gmt":"2024-12-28T09:46:49","slug":"new-arrival-ando-tadao-murakami-takashi-akasegawa-genpei-yamamoto-takato-hashiguchi-goyo-kiyochika-toyokuni-eisen-sadahide-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1035","title":{"rendered":"[New Arrival] Ando Tadao, Murakami Takashi, Akasegawa Genpei, Yamamoto Takato, Hashiguchi Goyo, Kiyochika, Toyokuni, Eisen, Sadahide and others"},"content":{"rendered":"

– Announcement of Winter Holidays –
\nThank you for your continued business with us.
\nYAMADA SHOTEN will be closed for annual winter holidays from Saturday, 28th December 2024 to Sunday, 5th January 2025<\/span>.
\nOur online store is open to receive orders, but we will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Monday, 6th January 2025.
\nWe are sorry for any inconvenience caused. We appreciate your understanding.<\/p>\n

\n
\n
\n\t\t
\n\t\t\"Beneton
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beneton art school II” by Ando Tadao<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gune Gune DOB” by Murakami Takashi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomason
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomason Apocalypse \/ No. 12: The LORD resides in a garage” by Akasegawa Genpei<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomason
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomason Apocalypse \/ No. 14: A ferocious bicycle caged” by Akasegawa Genpei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night Mirror” by Yamamoto Takato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Makeup
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Makeup of Darkness” by Yamamoto Takato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"End
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“End of Autumn” by Ted Colyer\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Gust of Wind Makes a Hole in the Partition Wall Like an Opera Stage” by Watanabe Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Juvenile
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Juvenile Kingdom \u2116.9” by Watanabe Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“On the roof” by Furusawa Iwami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Osaka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Osaka Dotonbori” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Acrobat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Acrobat” by Horii Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Balance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Balance (B)” by Horii Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sparkling
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sparkling Ford” by Uchida Masayasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Reddening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Reddening Fuji” by Uchida Masayasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Record
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Record of a Daydream – Red” by Tamura Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Kikuchi Keigetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Powdering her Neck\u3010Reproduction\u3011” by Hashiguchi Goyo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman after the Bath\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl in Summer Costume\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Summer Clothing\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Dressing in Long Underrobe\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman with a Towel\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Appplying Color to Her Lips\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Waitress
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Waitress with a Red Tray\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yaba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yaba Gorge\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Bridge at Sanjo in Kyoto\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Color Prints in Ukiyo Style: Golden Age \/ Volume 1-3” edited by Hashiguchi Goyo; supported by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Color Prints in Ukiyo Style: Late Edo Period \/ Volume 1-3 ” edited by Hashiguchi Goyo; supported by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Ushimachi in Takanawa under the Hazy Moon” by Kiyochika<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gohonmatsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gohonmatsu Pine by Moonlight in the Rain” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Fire at Ryogoku Drawn from Hama-cho” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Perspective Pictures of Chushingura” by Kuninao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 9” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Summer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Summer in Kiba” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Kawasaki: Shirai Gonpachi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Kanagawa Station: Ferryman Tonbei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Shinagawa: Banzuiin Cho’bei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Nihonbashi: a Fishmonger” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Gontazaka, between Hodogaya and Totsuka: Igami” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Totsuka: Hayano Kanpei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Osaka, between Totsuka and Fujisawa: O’saka” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Fujisawa: Oguri Hangan” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Hiratsuka: Mancho’s Daughter Okoma” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ O’iso: Tora” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Odawara: Iinuma Katsugoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Hakone: Hatsuhana” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Roles of Ichikawa Danjuro \/ Pulling the Elephant, one of the Eighteen Great Kabuki Plays” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Outer Palace \/ Title pages” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales of One Hundred Renowned Heroes \/ Takechi Mitsuhide” by Hirosada\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crows
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crows (tentative title)” by Yoshikuni\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono” by Zeshin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Elephant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Elephant (tentative title)” by Zeshin\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

– Announcement of Winter Holidays – Thank you for your continued business with us. YAMADA SHOTEN will be closed for annual winter holidays from Saturday, 28th December 2024 to Sunday, 5th January 2025. Our online store is open to receive orders, but we will not be able to answer any enquiries during that period. The […]<\/p>\n","protected":false},"author":1,"featured_media":1038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1035"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions"}],"predecessor-version":[{"id":1056,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions\/1056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1038"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}