{"id":1028,"date":"2024-12-14T18:30:26","date_gmt":"2024-12-14T09:30:26","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1028"},"modified":"2024-12-13T17:37:54","modified_gmt":"2024-12-13T08:37:54","slug":"new-arrival-tachibana-sayume-takehisa-yumeji-yoshida-toshi-seimiya-naobumi-maekawa-senpan-azechi-umetaro-hiroshige-toyokuni-kuniyoshi-yoshitoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1028","title":{"rendered":"[New Arrival] Tachibana Sayume, Takehisa Yumeji, Yoshida Toshi, Seimiya Naobumi, Maekawa Senpan, Azechi Umetaro, Hiroshige, Toyokuni, Kuniyoshi, Yoshitoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Temari
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Temari” by Tachibana Sayume<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poems
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poems and paintings by Takehisa Yumeji” by Takehisa Yumeji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Family
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Family Sugoroku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kappa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kappa” by Mizushima Nio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting with inscription” by Dobashi Jun’ichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Half
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Half Moon Bridge” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Calendar: January – June 1959” by Rene Barande, Henry Schjaerven, Maekawa Senpan, Mabuchi Rokutaro, Kawakami Sumio and Herbert Ott\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Calendar: July – December 1961” by Kato Yasu, Kuroki Sadao, Kanamori Yoshio, Seimiya Naobumi<\/strong>, Kawanishi Hide and Boguslaw Marschall\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1964-1967” by Kawakami Sumio, Takei Takeo, Omoto Yasushi, Hashimoto Okiie, Hoshi Joichi, Azechi Umetaro, Maeda Masao, Mabuchi Toru, Hiwasaki Takao, Shimosawa Kihachiro, and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1972-1975” by Takei Takeo, Hiwasaki Takao, Maeda Masao, Inagaki Tomoo, Azechi Umetaro, Kitaoka Fumio, Kawakami Sumio, Seimiya Naobumi, Saito Kiyoshi, Hashimoto Okiie and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1975-1978” by Seimiya Naobumi, Hiwasaki Takao, Hashimoto Okiie, OmotoYasushi, Takei Takeo, Saito Kiyoshi, Inagaki Tomoo, Ikeda Shuzo, Azechi Umetaro and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1979-1982” by Takei Takeo, Saito Kiyoshi, Kanamori Yoshio, SekinoJunichiro, Furusawa Iwami, Clifton Karhu, Omoto Yasushi, Mori Doshun, Hiwasaki Takao, Karasawa Hitoshi, Mabuchi Toru and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1982-1985” by Hagiwara Hideo, Omoto Yasushi, Karasawa Hitoshi, Takei Takeo, Clifton Karhu, Sekino Junichiro, Tokuriki Tomikichiro, Yamataka Noboru, Furusawa Iwami and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 2002-2005” by Yamataka Noboru and Kurosaki Akira Kanamori Yoshio Omoto Yasushi Yamanaka Gen Mishio Yoshiharu and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris for Hobby \/ Volume 2” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris” by Sekino Junichiro, Maekawa Senpan, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Self-published Lithograph and Its Freedom” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Ishii Hakutei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Migishi Setsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Correlational Study of Sex and Beauty” by Ota Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Decadent Trend of Modern French Art” by Nakagawa Kigen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Mr. Tokugawa’s Face” by Koito Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Woodcarving in Oiwake” by Kodera Kenkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nishiki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nishiki kata” by Matsui Toshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo\u3010Reproduction\u3011” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Hara: Station at Kashiwabara” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Shirasuka: Panoramic View of Shiomizaka” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Maisaka: View of the Sea at Imagiri” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Fuchu: Fording the Abe River” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Viewing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Viewing Cherry Blossoms at Arashiyama” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Suzugamori” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Yui” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Kawasaki: The Death of Nitta Yoshioki at the Yaguchi Ferry” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Shinagawa: Shirai Gonpachi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle of Kyoto” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring View of the Shinobazu Benten Shrine in the Eastern Capital” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Edo \/ Moonlit Night at Shinobazu: Yamatoya Oryu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bairei's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bairei’s One Hundred Chrysanthemums” by Kono Bairei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Han
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Han geijutsu \/ No. 19: Prints of Japanese Folk Toys, Volume 2” by edited by Ryoji Kumata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Han
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Han geijutsu \/ No. 39: Prints of San’indo Folk Toys by Ita Yusei” by edited by Ryoji Kumata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hatobue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hatobue Vol.1-6” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poems
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poems and Prints: Mysterious Times” by Wakayama Yasoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock miniature book: Hida Yuki” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Short
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Short Nursery Rhymes composed by Nakayama Shinpei \/ Volume 7” by Kato Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection \/ Volume 36” by edited by Imamura Hidetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection \/ Volume 47” by edited by Imamura Hidetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection \/ Volumes 93-100 (final issue)” by edited by Imamura Hidetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tWatanabe Kazan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Taketonbo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Taketonbo \/ Volume 4” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Taketonbo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Taketonbo \/ Volume 5” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takarazuka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takarazuka Revue Art Book” by edited by Nojima Ichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shochiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shochiku Shojo Kagekidan Photo Book: Shochiku Souvenir” by edited by Mitsubayashi Ryotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yumeji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yumeji gaiyuki” by edited by Nagata Mikio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\twritten by Hilary Chapman and Libby Horner\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catalog
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Catalog of the collection: Kanuma Municipal art Museum of Kawakami Sumio” by \t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Temari” by Tachibana Sayume “Poems and paintings by Takehisa Yumeji” by Takehisa Yumeji “Family Sugoroku” by Takehisa Yumeji “Kappa” by Mizushima Nio “Painting with inscription” by Dobashi Jun’ichi “Half Moon Bridge” by Yoshida Toshi “Exlibris Calendar: January – June 1959” by Rene Barande, Henry Schjaerven, Maekawa Senpan, Mabuchi Rokutaro, Kawakami Sumio and Herbert Ott “Exlibris […]<\/p>\n","protected":false},"author":1,"featured_media":1033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1028"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1028\/revisions"}],"predecessor-version":[{"id":1032,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1028\/revisions\/1032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1033"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}