{"id":1021,"date":"2024-12-07T18:30:24","date_gmt":"2024-12-07T09:30:24","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1021"},"modified":"2024-12-06T01:18:18","modified_gmt":"2024-12-05T16:18:18","slug":"new-arrival-hiroshige-kuniyoshi-yoshitoshi-yoshitora-toyokuni-kunisada-kawase-hasui-kasamatsu-shiro-ono-tadashige-abe-kongo-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1021","title":{"rendered":"[New Arrival] Hiroshige, Kuniyoshi, Yoshitoshi, Yoshitora, Toyokuni, Kunisada, Kawase Hasui, Kasamatsu Shiro, Ono Tadashige, Abe Kongo and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Night Attack in Chushingura” by Yoshitora<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Life of Yoshitsune” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Tsunenobu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Descending Geese at Okawa” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Sunset Glow at Hyogo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Catching Fireflies by the Sumida River” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Oiso: The Marsh Where Snipe Rise Up and the Hermitage of Saigyo” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sekitori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sekitori Crossing the Hitotsume Bridge” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokozuna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokozuna Entering the Ring” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Kurokumo Ryugoro from Higo Province” by Kurokumo Ryugoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Arauma Daigoro from Tokyo” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Onogawa Saisuke from Chikugo Province” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Kimigatake Hachigoro” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: The Former Kumoudake, Now Koyanagi Heisuke from Higo Province” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play \/ Flowers of Edo: Sumo” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Balloon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Balloon Flight Test at the Naval Institute and Western-style Buildings in Tsukiji,Tokyo” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Steam
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Steam Train at Takanawa” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Megane Bridge at a Glance” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sankin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sankin kotai Procession in the Days of the Former Shogunate” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Steam
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Steam Train in Motion between Ueno, Tokyo and Kumagaya, Musashi Province” by Shigekiyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kannon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kannon Temple in Asakusa, Tokyo” by Kuniteru III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo City Streets: Horse-Drawn Trolleys on Yorozuyo (Mansei) Bridge” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kiso Road\u3010Reproduction\u3011” by Hiroshige I and Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \/ Descending Geese at Katada\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"People
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“People Getting Rid of Mice (tentative title)\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Taiko and His Five Wives on an Excursion to the East of Kyoto\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Doll Pictures by Hasui” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Golden Hall in Hiraizumi” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hongo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hongo Red Gate in Snow” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Striking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Striking Clock” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Birds
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Birds” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shoaling
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shoaling Beach, Amakusa” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meiji-cho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meiji-cho Judai” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokohama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokohama” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Arrival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Arrival of European Ship (Mirror)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mokugo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mokugo Zuanshu” by Asai Chu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toys
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toys for the Nobility \/ Volume 1, 2, 4 and 5” by jKawarazaki Kodo, Iida Shiko, Miyagawa Sohei, Miyagawa Reimei, Tsuji Koyo and Nakagawa Sanga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony Snowflakes” by Uemura Shoen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tLithograph B \/ Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lithograph
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tLithograph R \/ Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Madobe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Madobe no kaze” by Miki Ran\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript” by Abe Kongo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Lives of Remarkable People of Our Country \/ Taiso Yoshitoshi” by Muramatsu Shofu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Nioi no kotoba” by Nakamura Shinjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Recollection of Paris Thirty Years Ago – The Day I Visited Mr. Rodin” by Nakamura Fusetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Uto soso” by Katori Hotsuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Note on Sketching” by Kawashima Riichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Butter Cake” by Kitabayashi Toma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Draft
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Draft poem: Yumeji no onna” by Mizutani Masaru\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Storehouse of Loyal Retainers” by Hiroshige I “The Night Attack in Chushingura” by Yoshitora “The Life of Yoshitsune” by Sadahide “One Hundred Aspects of the Moon \/ Tsunenobu” by Yoshitoshi “Heroes for the Eight Views \/ Descending Geese at Okawa” by Kuniyoshi “Heroes for the Eight Views \/ Sunset Glow at Hyogo” by Kuniyoshi […]<\/p>\n","protected":false},"author":1,"featured_media":1025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1021"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1021\/revisions"}],"predecessor-version":[{"id":1027,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1021\/revisions\/1027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1025"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}